Chariot Clock Drawn By Two Lions, Early 20th Century
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This remarkable chariot clock, dating from the early 20th century, captivates with its imposing sculptural composition, theatrical movement and richly detailed decoration. The ensemble combines a patinated spelter sculpture in deep, nuanced tones, subtly enhanced with bronze and golden-brown highlights, with a substantial griotte red marble base, whose contrasting veining emphasises the precious character of the piece. The scene majestically depicts a female figure seated in a chariot of animated forms, evoking a vast shell carried upon clouds and decorative scrolls. The identity of this clock lies in its original composition, inspired by mythological imagery and the taste for grand allegorical subjects. Its movement bears the stamp of the clockmaking firm Société Clusienne S.C.A.P.H., Cluses, attesting to its horological provenance.
The composition unfolds through a succession of sculpted volumes, executed with a remarkable sense of movement. At the summit, an antique-style female figure, dressed in an exquisitely draped tunic, sits upon the chariot. Her face, turned towards the sky, conveys a serene and resolute expression, while her flowing hair, gathered at the back, delicately frames her features. The supple folds of her garment follow the contours of her body and accompany the movement of the scene. In her hand, she holds the twisted reins connecting her to the team, reinforcing the impression of guidance and forward motion. The chariot features a sculpted body with sinuous contours, adorned with sweeping scrolls, foliage and raised motifs evoking a monumental shell emerging from stylised clouds. At its centre is a circular white enamel dial, decorated with Arabic numerals, a delicate polychrome floral garland and slender gilt hands. Its gilded brass surround contrasts elegantly with the darker tones of the sculpture. At the base of the composition, two powerful lions advance side by side, forming a majestic team. Their muscular bodies, firmly planted paws and thick, finely detailed manes convey the full strength of these symbolic animals. Their slightly open jaws, expressive gazes and dynamic postures lend the ensemble a striking presence. Harnesses richly embellished with decorative motifs complete their trappings. The entire composition rests upon a substantial rectangular base of griotte red marble, featuring particularly decorative red, brown and white veining, adorned at the front with a gilt-bronze ornamental mount and supported by small, finely crafted feet.
Original movement, unmodified. Strikes the hours and half-hours on an antique bell, producing a clear and authentic sound.
This remarkable chariot clock, dating from the early 20th century, captivates with its imposing sculptural composition, theatrical movement and richly detailed decoration. The ensemble combines a patinated spelter sculpture in deep, nuanced tones, subtly enhanced with bronze and golden-brown highlights, with a substantial griotte red marble base, whose contrasting veining emphasises the precious character of the piece. The scene majestically depicts a female figure seated in a chariot of animated forms, evoking a vast shell carried upon clouds and decorative scrolls. The identity of this clock lies in its original composition, inspired by mythological imagery and the taste for grand allegorical subjects. Its movement bears the stamp of the clockmaking firm Société Clusienne S.C.A.P.H., Cluses, attesting to its horological provenance.
The composition unfolds through a succession of sculpted volumes, executed with a remarkable sense of movement. At the summit, an antique-style female figure, dressed in an exquisitely draped tunic, sits upon the chariot. Her face, turned towards the sky, conveys a serene and resolute expression, while her flowing hair, gathered at the back, delicately frames her features. The supple folds of her garment follow the contours of her body and accompany the movement of the scene. In her hand, she holds the twisted reins connecting her to the team, reinforcing the impression of guidance and forward motion. The chariot features a sculpted body with sinuous contours, adorned with sweeping scrolls, foliage and raised motifs evoking a monumental shell emerging from stylised clouds. At its centre is a circular white enamel dial, decorated with Arabic numerals, a delicate polychrome floral garland and slender gilt hands. Its gilded brass surround contrasts elegantly with the darker tones of the sculpture. At the base of the composition, two powerful lions advance side by side, forming a majestic team. Their muscular bodies, firmly planted paws and thick, finely detailed manes convey the full strength of these symbolic animals. Their slightly open jaws, expressive gazes and dynamic postures lend the ensemble a striking presence. Harnesses richly embellished with decorative motifs complete their trappings. The entire composition rests upon a substantial rectangular base of griotte red marble, featuring particularly decorative red, brown and white veining, adorned at the front with a gilt-bronze ornamental mount and supported by small, finely crafted feet.
Original movement, unmodified. Strikes the hours and half-hours on an antique bell, producing a clear and authentic sound.
950 €
Period: 20th century
Style: Consulat, Empire
Condition: Fully restored in our whorkshop
Material: Gilt bronze
Width: 49 cm
Height: 38 cm
Depth: 18 cm
Reference (ID): 1835699
Availability: In stock
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