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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960

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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960
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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960-photo-2
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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960-photo-3
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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960-photo-4
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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960-photo-1
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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960-photo-2
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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960-photo-3
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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960-photo-4
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Jean Gerbino (1876-1966) - Boule Pique-fleurs In Mixed Clay, Vallauris Circa 1950-1960-photo-5
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In 1930, after fifteen years of research, Sicilian-born master ceramist Jean Gerbino perfected his unique mixed-earth technique: several clays colored with oxides are assembled into blocks, turned together and then double-fired under a transparent glaze. The process was awarded the Grand Prix du Concours Lépine in 1931.

This boule pique-fleurs stands out for the exceptional quality of its execution. The palette is particularly rich and luminous - iron-red terracotta, soft celadon, slate blue, creamy ivory, warm ochre and manganese brown - with a glossy glaze that enlivens each color and gives the whole an almost mineral depth. The upper body features the diagonal polychrome checkerboard characteristic of the workshop, while the lower register is treated in sgraffito with Hispano-Moorish motifs - star rosette medallions on a cream background, framed by green scrolls. Nine openings at the top.

Precision and remarkable mastery.

Signature "Gerbino Vallauris" incised below the base.

France, circa 1950-1960

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