Kilim Parmaklı - Afyon, Anatolia. Circa 1950. 120 X 110 Cm

The pattern as a form of visual writing.
This piece belongs to the “Parmaklı” family of kilims—which means “finger” in Turkish—and originates from the Afyon region in southwestern Anatolia.
Its graphic power and immediate impact offer the viewer a multidimensional field centered on a dual symmetry—ascending and from left to right.
In a compact, perfectly suited format, this work can easily be perceived as a painting. The ingenuity lies in the space, the combinations, and the sequence. The composition is entirely free and yet executed with absolute mastery. The simple fact that there is no border gives this piece an infinite dimension in space.
The parmaklı motif evokes a multitude of themes centered on balance: family, brotherhood, harmony among the inhabitants of the nomadic dwelling, and solidarity among its members. It’s a bit like the “Peace and Love” symbol—only prettier! 
Within this balance of moving forms, the color palette acts as a fluid that releases energy. The harmony of the plant-based hues—varying in density and luminosity—is striking; the tones are vibrant, like a true sun.
Woven wool on a cotton warp
Mid-20th century
Perfect condition
Dimensions: 120 x 110 cm

Laurent
Beauty of Kilims