His work reflects influences from Salvator Rosa, Rosa da Tivoli, Domenico Brandi. He is also compared to painters from his teNaples, and admired by Paolo De Matteis. His reputation is relatively good among Neapolitan collectors. He was esteemed, his paintings were included in the collections of the Neapolitan nobility — for example Geronimo Ferdinando Alcaron de Mendoza, the Duchess of Terranova and Monteleone, Gioanna d'Aragona Pignatelli, the Duchess of Canzano Isabella Coppola, etc. De Dominicis, his biographer, describes him as a "valente artefice" (a skillful creator). His pastoral style is less dramatic than the "classical" Baroque of the previous period; it favors peaceful, luminous scenes, less contrasted. He seems to have mixed a taste for mythologized rustic nature with influences from the idealized landscape.