Charcoal Drawing, Early 19th Century, Portrait Of A Noblewoman
Early 19th century
Portrait of a noblewoman
Charcoal on cardboard, 53 x 41.5 cm
Contemporary gilded frame, 63 x 51 cm
Monogram: “A. B.” on the figure’s chest
An elegant female half-length portrait depicting a noblewoman, executed in charcoal with great sensitivity in both linework and chiaroscuro. The delicately modeled face reveals remarkable attention to physiognomic details and a refined capacity for psychological insight.
The work stands out for the softness of its shading and the skillful use of tonal transitions, which lend volume and naturalness to the complexion and facial features. The neutral background further enhances the figure, elegantly setting it apart.
The composition is executed in charcoal on cardboard, a traditional graphic technique highly prized in the 18th and 19th centuries for portraits and academic studies. It is made from carbonized wood and allows for an extremely versatile line. It is distinguished, as in the work under examination, by its rendering of soft, deep lines—ideal for defining contours—velvety shading achieved through rubbing or blending, and, above all, by its wide tonal range, from light gray to deep black.
This technique allows for a particularly effective rendering of skin and shadows, as clearly visible in the figure’s face and décolleté.
The lady’s attire reflects the style between the Neoclassical and Empire periods, prevalent in the early 19th century. The inspiration drawn from classical antiquity is also reflected in the fashion, with the wide, rounded neckline and light, soft fabrics that follow the contours of the body.
These elements place the work within a cultural context linked to post-Napoleonic aesthetics.
The hairstyle is particularly significant: the hair is gathered with volume at the top of the head, and loose curls frame the face in a natural yet studied style, typical of fashion between the late 18th and early 19th centuries.
This type of hairstyle was very popular among the aristocratic classes and reflects an ideal of spontaneous grace and refinement.
Condition
Good overall condition, with signs of aging consistent with the period. White groove, tear in the lower right corner, widespread foxing. Antique gilded frame with great decorative impact.
All our works are accompanied by a detailed certificate of authenticity.
Professional packaging and insured shipping to ensure maximum safety during transport.
For further information, please do not hesitate to contact us +39 329 319 4887 – info@dequart.com
Option for VIDEO CALLS and in-person viewings by appointment in MILAN and BORGOMANERO (NO).
Further information and photos: www.dequart.com IG - FB @dequ.art
Portrait of a noblewoman
Charcoal on cardboard, 53 x 41.5 cm
Contemporary gilded frame, 63 x 51 cm
Monogram: “A. B.” on the figure’s chest
An elegant female half-length portrait depicting a noblewoman, executed in charcoal with great sensitivity in both linework and chiaroscuro. The delicately modeled face reveals remarkable attention to physiognomic details and a refined capacity for psychological insight.
The work stands out for the softness of its shading and the skillful use of tonal transitions, which lend volume and naturalness to the complexion and facial features. The neutral background further enhances the figure, elegantly setting it apart.
The composition is executed in charcoal on cardboard, a traditional graphic technique highly prized in the 18th and 19th centuries for portraits and academic studies. It is made from carbonized wood and allows for an extremely versatile line. It is distinguished, as in the work under examination, by its rendering of soft, deep lines—ideal for defining contours—velvety shading achieved through rubbing or blending, and, above all, by its wide tonal range, from light gray to deep black.
This technique allows for a particularly effective rendering of skin and shadows, as clearly visible in the figure’s face and décolleté.
The lady’s attire reflects the style between the Neoclassical and Empire periods, prevalent in the early 19th century. The inspiration drawn from classical antiquity is also reflected in the fashion, with the wide, rounded neckline and light, soft fabrics that follow the contours of the body.
These elements place the work within a cultural context linked to post-Napoleonic aesthetics.
The hairstyle is particularly significant: the hair is gathered with volume at the top of the head, and loose curls frame the face in a natural yet studied style, typical of fashion between the late 18th and early 19th centuries.
This type of hairstyle was very popular among the aristocratic classes and reflects an ideal of spontaneous grace and refinement.
Condition
Good overall condition, with signs of aging consistent with the period. White groove, tear in the lower right corner, widespread foxing. Antique gilded frame with great decorative impact.
All our works are accompanied by a detailed certificate of authenticity.
Professional packaging and insured shipping to ensure maximum safety during transport.
For further information, please do not hesitate to contact us +39 329 319 4887 – info@dequart.com
Option for VIDEO CALLS and in-person viewings by appointment in MILAN and BORGOMANERO (NO).
Further information and photos: www.dequart.com IG - FB @dequ.art
1 200 €
Period: 19th century
Style: Napoleon 3rd
Condition: En l'etat
Material: Paper
Width: 41,5
Height: 53
Reference (ID): 1751076
Availability: In stock
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