Irregular trim and two small losses at the top, concealed by the rabbet.
Disassembly confirms that this study was painted en plein air, pinned at the corners to a small board.
The firm, almost angular, and remarkably precise brushwork suggests the artist is somewhere between Corot and Jean-Baptiste Olive—a connection worth exploring !
Under a cloudless blue sky, a rocky coast at low tide opens onto a bay, revealing rocks covered in seaweed, while on the opposite shore, a town with its church and a red tower, perhaps a lighthouse, can be seen.
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