Sculpture - The Seated Basset , Antoine-louis Barye (1795–1875) - Bronze
Artist: Antoine - Louis Barye (1795-1875)
Bronze cast with a nuanced brown patina , depicting a long-haired Basset Hound in a sitting position , with its head turned to the left , by the sculptor Antoine - Louis Barye (1795–1875) .
So much realism is not due to chance .
Indeed , Antoine-Louis Barye knows animal anatomy perfectly .
The sculptor revolutionized the way of representing animals .
For him , they are no longer political symbols or mythological attributes , on the contrary , they become the unique subject , the animal as such and nothing else .
This vision of the subject allowed Antoine-Louis Barye to create unique works , imbued with elegance and naturalism .
The sculptor’s signature "BARYE" is engraved on the naturalistic, richly chiseled base .
Antique bronze , dating from the second half of the 19th century .
Very good condition and patina .
Dimensions: 14 cm x 25.5 cm (at the dog’s tail) x 9.7 cm
Antoine - Louis Barye (1795-1875)
Famous for his animal sculptures , Antoine-Louis Barye is a silversmith's son , who is trained in metalwork with a military equipment manufacturer and Jacques - Henri Fauconnier.
In 1818 , he entered the Paris School of Fine Arts and apprenticed in the studio of sculptor François Joseph Bosio and painter Jean-Antoine Gros .
After several failures at theThe Grand Prix of Rome , Antoine-Louis Barye slammed the door of the Fine Arts in 1825 .
He then turned to animal sculpture which he would bring back up to date .
With his friend Delacroix , he goes regularly to the menagerie of the Natural History Museum to study and observe animals .
It was in 1831 that Barye made himself known to the general public by exhibiting "The Tiger Devouring a Gavial" (Louvre) at the Salon , a work staging a violent fight "of impressive virtuosity".
Two years later , he triumphed with "The Lion and the Snake" plaster , which was also successfully exhibited in its bronze version at the Salon of 1836 .
Preferring bronze to marble considered too cold , the artist multiplied statuettes and small groups animals,that he melts and chisels himself .
Barye died at the age of 80 , leaving behind an important production of drawings , watercolors and paintings as well as sculptures , pieces of goldsmith's work .
His works can be seen at the Louvre and Orsay Museums .
So much realism is not due to chance .
Indeed , Antoine-Louis Barye knows animal anatomy perfectly .
The sculptor revolutionized the way of representing animals .
For him , they are no longer political symbols or mythological attributes , on the contrary , they become the unique subject , the animal as such and nothing else .
This vision of the subject allowed Antoine-Louis Barye to create unique works , imbued with elegance and naturalism .
The sculptor’s signature "BARYE" is engraved on the naturalistic, richly chiseled base .
Antique bronze , dating from the second half of the 19th century .
Very good condition and patina .
Dimensions: 14 cm x 25.5 cm (at the dog’s tail) x 9.7 cm
Antoine - Louis Barye (1795-1875)
Famous for his animal sculptures , Antoine-Louis Barye is a silversmith's son , who is trained in metalwork with a military equipment manufacturer and Jacques - Henri Fauconnier.
In 1818 , he entered the Paris School of Fine Arts and apprenticed in the studio of sculptor François Joseph Bosio and painter Jean-Antoine Gros .
After several failures at theThe Grand Prix of Rome , Antoine-Louis Barye slammed the door of the Fine Arts in 1825 .
He then turned to animal sculpture which he would bring back up to date .
With his friend Delacroix , he goes regularly to the menagerie of the Natural History Museum to study and observe animals .
It was in 1831 that Barye made himself known to the general public by exhibiting "The Tiger Devouring a Gavial" (Louvre) at the Salon , a work staging a violent fight "of impressive virtuosity".
Two years later , he triumphed with "The Lion and the Snake" plaster , which was also successfully exhibited in its bronze version at the Salon of 1836 .
Preferring bronze to marble considered too cold , the artist multiplied statuettes and small groups animals,that he melts and chisels himself .
Barye died at the age of 80 , leaving behind an important production of drawings , watercolors and paintings as well as sculptures , pieces of goldsmith's work .
His works can be seen at the Louvre and Orsay Museums .
3 400 €
Period: 19th century
Style: Napoleon 3rd
Condition: Perfect condition
Material: Bronze
Length: 25.5 cm
Height: 14 cm
Depth: 9.7 cm
Reference (ID): 1805540
Availability: In stock
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