Stone: Nicolo (layered onyx with blue-grey upper stratum)
Intaglio dimensions: 2.3 × 2.7 cm (⅞ × 1 1/16 in.)
Brooch dimensions: 3 × 3.4 cm (1 3/16 × 1 6/16 in.)
Inscription: ΔΙΟΣ (DIOS) in Greek letters, engraved in reverse
Period: Italian, late 18th century
A refined gold brooch set with an Italian nicolo intaglio of the late 18th century, depicting a scene of Bacchic intimacy between a seated youth and a standing satyr.
The youth, shown seated upon a rock with a staff or thyrsus beside him, is likely to be identified as the young Dionysus (Bacchus) — god of wine, ecstasy, and theatrical arts. Facing him stands a satyr, one of the wild woodland spirits who formed the god's eternal retinue. The composition captures a moment of quiet exchange between the two figures, perhaps a pause in their revels, imbued with the gentle sensuality characteristic of late 18th-century neoclassical gem engraving.
The inscription ΔΙΟΣ (DIOS), engraved in reverse Greek letters at the base of the composition, confirms the Dionysiac subject. The reversal of the letters indicates that the gem was intended for use as a seal, producing a legible impression when pressed into wax.
The intaglio is carved in nicolo — a variety of layered onyx prized since antiquity for its striking contrast between a thin translucent blue-grey upper layer and a darker ground beneath. When engraved, the incised design appears darker against the pale surface, lending depth and legibility to the image. Nicolo was a favoured material among Roman gem engravers and was enthusiastically revived by Italian craftsmen during the neoclassical period.
The brooch mount, with its smooth polished gold bezel, is elegant in its simplicity, allowing the intaglio to take centre stage.
A sophisticated jewel uniting Bacchic mythology with the refined taste of the Grand Tour era — a testament to the enduring appeal of classical antiquity.
Condition: Good. Minor surface dirt and wear consistent with age. Some light abrasions to the intaglio surface. General wear to the brooch mount.































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