Beautiful black chalk drawing, project for a painting between two arches. The man, whose right leg is visible, seems to be sitting on a cloud on the left. Black chalk, very good condition. France, 17t[...]
Roman School, early 17th century
Portrait of a Gentleman
Black chalk with stumping on slightly tinted laid paper, 23 × 30 cm
Inscribed Iower left, in a later hand: “Ant. van Dyck f. 1630”
Provena[...]
View of the Louvre, etching of the second state (of five) with the name of CALLOT, circa 1629-1630. Very beautiful proof printed on laid paper. The prints of the views of Paris (this one and the secon[...]
Interesting engraving after Jacques SARRAZIN, French sculptor and painter of the 17th century (1592-1660) and MATHIEU, French sculptor (1545 – 1611) representing the ruins of an old bridge on the Loir[...]
Original steel engraving on watermarked laid paper. By MANNESSON MALLET, Cartographer / Engineer. Hand-watercolored. BEAUTIFUL ENGRAVING representing a view of the facade of the Palace of VERSAILLES. [...]
Thierry Bellangé (1594-1638) Portrait of Charles de Gontaut, Duke of Biron, Marshal of France Pencil and watercolor on vellum, signed lower right Bellangé. Circa 1620 Good condition, some pinholes. Di[...]
Brush and brown and dark grey ink with sepia washes and white bodycolour, 200 x 260 mm.This accomplished drawing represents the renowned scene from Ovid’s Metamorphoses in which the young prince Actae[...]
Italian or German school around 1600, workshop of Mauro DELLA ROVERESaint Veronica presenting her veil (The Holy Face)Pen and brown ink, indigo grey wash and white gouache highlights 28.5 x 17 cmTop c[...]
Italian School, 17th century
Study after Bernardino Lanino’s Frescoes in Santa Caterina, Milan
Red chalk on paper
297 x 186 mm
Annotated on the verso: “Vani”
Provenance
– Private collection, Fra[...]
This poignant work depicts Christ praying on the Mount of Olives, at the solemn moment when, in the solitude of the night, an angel appears to him and offers him the chalice of suffering. The composit[...]
Domenico Maria Canuti (1625–1684)
Study of a Seated Satyr, Seen from Behind
Red chalk on laid paper with watermark
39 × 26 cm
Provenance:Private collection
Note:
A large and rare sheet by the br[...]
Engraving representing the painter Artus Wolfart by Anton van Dyck (1599-1641) and engraved by Cornelius Galle (1576-1650), period sheet, recent frame, anti-UV glass, visible 27c19cm
Attributed to Jacob JORDAENS (Antwerp 1593–1678)
Study of Feet and a Figure Sketch
Red and black chalk on laid paper
25.9 × 18.4 cm (10¼ × 7¼ in.)
Minor losses, folds, and slight surface dirt.
Ol[...]
Workshop of Pietro da Cortona, probably Ciro Ferri
(Rome 1634 – Florence 1689)
The Flagellation of Saint Bibiana, c. 1645‑1655
Black chalk, pen and brown ink, brown wash heightened with white gouac[...]
The classical four virtues during the XVII teen french century. Force, Union, Temperency, and Truth. Ink. France.Gorgeous gilted frame, italian, XVIII teen century.
DENYS CALVAERT (Antwerp c. 1540 – 1619 Bologna), ATTRIBUTED TO
Screaming Face
Red chalk on paper
17.5 x 14.5 cm
After 1608
Provenance:
Unidentified collection (Lugt L.2339 / 3578 [possibly the S[...]
Gouache on vellum depicting the descent of Christ from the Cross, with the presence of the Virgin, Mary Magdalene, Saint John, the figures are haloed in gold. The Gouache is presented under two glass [...]
From a painting by Jacopo Bassano kept at the Louvre, beautiful engraving by Johan Sadeler illustrating the meal during which Christ reveals himself to the companions of Emmaus. Note the numerous and [...]
Jacques Callot (1592-1635) Les Gueux The blind with his dogpen on paper 20 x 15 cmLes GueuxThese 25 etchings are amongst the most popular, the most copied and imitated in the work of Callot.we only kn[...]
Inscriptions on the back : École de Sienne XVIème PERUZZI BALDASSARE (SIENNE 1481 / ROME 1536Some folds and small tears on the periphery (see photos) Dimensions: Paper 56 x 41cm / With frame 74 x 59cm[...]
Portraits of the Virgin Mary and the Infant Jesus Pair of gouaches executed on vellum. One represents the Virgin Mary, the other the Infant Jesus. The figures are inscribed in baroque cartouches decor[...]
Rare very large and beautiful engraving on fine paper in a slightly bistre form representing a lively scene of a large village esplanade, Flemish school of the 17th century remarkable for its executio[...]
Italian school, late 16th – 17th centuries, pen and brown ink wash on laid paper, study of architectural and decorative motifs of mascarons, vases and grotesques.Dimensions of the drawing alone: 27.5c[...]
Beautiful etching by Adrian Van Ostade, The cobbler, dated 1671 and signed.
Measures approximately 17.3 cm by 14.5 cm.
Referenced in the "Catalogue raisonné of all the prints that form the engraved [...]
Interesting pair of engravings representing "la Bastille" realized in the designs of Johanne Pieters verse 1640
Bel encadrement recent
Dimensions:
l' and 27.5 cm x 24.3 cm
The actual size is 2[...]
Large and beautiful Italian drawing, in brown pen and gray notice. Very accomplished architectural project, peristyle, with colonnades and niches. Two antique statues in the niches. 3 knocked-down cor[...]
Set of 5 black and white engravings representing arquebusiers by Jacob de Gheyn II 1565-1629, these engravings are presented in natural oak frames, all with the most beautiful decorative effect View 1[...]
Amazing large drawing, made with a pen and enhanced with white gouache, for a fresco decoration of a palace (note the reserve for the location of a passage door) representing the myth of Prometheus ac[...]
Original drawing from the 17th century. Scene of a gallant party. Red chalk. 23 x 35 cm, mounted on a 27.8 x 41.7 cm marie-louise. Foxing. Bears a signature (apocryphal?) "Jan Lis" in graphite in the [...]
Rare series of 5 plates, engravings by Jacques de Gheyn (1565-1629) mannerist designer and engraver of the golden age. Plates circa 1607-1608 part of the series of uniforms of officers and soldiers of[...]
Old engraving after Jacques Callot "the temptation of Saint Anthony". Glued on strong cardboard, signed, plate stroke 48 cm x 36 cm. Comes from an estate of an engraving enthusiast for sale in our oth[...]
Beautiful and rare pair of gouaches on vellum, Italy, early 17th century, with religious subject. 17th century frames, with old curved glass. Original gilding, original hanger on the back. Very fine w[...]
ORIGINAL ENGRAVING BY RICHAD BLOME (1635-1705) FROM AN ILLUSTRATION OF THE BOOK "THE RECREATION OF GENTLEMEN" PUBLISHED IN 1686 - THIS 17TH CENTURY ENGRAVING IS TITLED "PHEASANT HUNTING" AND CARRIES T[...]
Very beautiful 17th century engraving by Jacques Callot, from the series La Grande Passion. The engraving represents Le Crucifiement or La Crucifixion. It is the seventh number of a series of 7 pieces[...]
Salvatore Rosa
(Naples 1615 - 1673 Rome)
Saint Francis of Assisi in Ecstasy
Pen and brown ink, brown wash over black chalk
7 x 5 cm
Bears the stamps of collections on the mount: lower left Gi[...]
Sir Anthony van Dyck(Antwerp 1599 - 1641 London)STUDY FOR A PORTRAIT OF A STANDING MANBlack and white chalk on blue-green paper25,4 by 13,5 cmProvenanceProf. Julius S. Held (bears his mark, verso, not[...]
Magnificent set of 6 engravings from the series Les Gueux from the 17th century by Jacques CALLOT (1592-1635). These 6 original engravings from the series Les Gueux were magnificently engraved in the [...]
SILVESTRE (Israel) - View and perspective of the Porte Notre Dame de Nancy: called the Porte de la Citadelle. Sl (Nancy), se (At the author's), around 1680; 120/240mm, one page, gilded frame under mar[...]
Italian landscape from the mid-17th century.
Ink on watermarked laid paper.
Bolognese School.
Signature lower right with the initials BB, possibly Battista Bertusio.
In good condition, framed in a[...]
Beautiful Crete icon circa 1680. The icon is carved from a piece of wood. Above two Saints under arcades Saint Basilios and Saint Nicholas. In the bottom row Saint Charalampios, Saint Atanasios and Sa[...]
Beautiful virgin in grisaille on vellum, from the first half of the 17th century, attributed to the miniaturist of King Nicolas ROBERT or his entourage. The virgin is represented in an attitude and st[...]
[MOYENVIC] - ANONYMOUS - Moyenvic. Sl, At the author's, around 1650; 110/155 mm, one page, under a marie-louise. Old colored engraving from the period, we see the fortifications of the city with a sma[...]
[MOYENVIC] - ANONYMOUS, RIEGEL? - Moyenvic. Nuremberg, At the author's, 1650; 60/110 mm, one page, under a marie-louise. Old colored engraving from the period. We see the fortifications of the city wi[...]
Christoffel Van Sichem II (1577 - 1658)
Title: Banquet scene with three young couples, an old man standing at right Series/Book
Title: Bibel Tresoor ofte der Zielen Lusthof, Amsterdam 1646 Woodcut p[...]
Rare série de 28 eaux fortes du 17 ème sur 12 feuilles du peintre graveur hollandais Nicolaes Berchem (1620-1683).
Sur papier vergé.
Dimensions de chaque feuille. 49x31
Chaque gravure fait 13x10 de[...]
Christ Child,
Etching and burin, after a work by Van Dyck, engraved by Peter II de Jode in 1661; Legend in Latin: "Domicellae clarae Christophorinae Borrekens ......"
Peter II de Jode, or de Jonghe [...]
After Philippe de CHAMPAIGNE
Michel Le Tellier, Marquis of Barbezieux, Lord of Chaville, Étang and Viroflay, French statesman, Chancellor of France in 1677, born in Paris on April 19, 1603 and died[...]
3 framed plates taken from the horse riding treatise by Antoine de Pluvinel (1552-1620): "The King's instruction, in the exercise of riding a horse". Louis XIII (1601-1643) at the royal carousel.
Interesting study of a young man lying asleep. Drawing in black chalk, on beige paper. Nice attitude, from a low angle. Italy. Beautiful provenance, see the collector's stamp.
Pair of engravings in the style of sanguine (red chalk) representing the preparatory work for the Atlanteans in the Farnese Gallery in Rome, after Carracci.
We find the mentions "Francus Collignon [...]
Pair of engravings in the style of red chalk (red chalk) representing the preparatory work for the Atlanteans in the Farnese Gallery in Rome, after Carracci.
We find the mentions "Francus Collignon[...]
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![[moyenvic] - Anonymous - Moyenvic. At The Author's, Around 1650. Period Coloring. Good Condition.](https://www.proantic.com/galerie/librairie-alphabets/img/small/1397848-main-66dea826af737.jpg)
![[moyenvic] - Riegel? - Moyenvic. Nuremberg, Author's, 1650, Period Colored Engraving.](https://www.proantic.com/galerie/librairie-alphabets/img/small/1397496-main-66dd7444565ce.jpg)
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