Gouache on vellum after Charles Lebrun, 17th century, "Madeleine repulsing the vanities of the world", presented in a 19th century molded walnut wood frame surrounded by copper.
Leonard Bramer 1596 - 1674. The Death of Saint Joseph - fragment. Brush in gray & gray wash on laid paper. On the reverse, in black chalk, study of figures. Watermark: coat of arms. Stains, folds, sma[...]
Martyrdom scene. Italian school of the 17th century, pen and brown ink, trace of red chalk. Slight crease at the top, two small holes. Dimensions: 13.5 x 13 cm Frame dimensions: 34.2 x 28.2 cm
Pair of small drawings, German school of the 17th century. An old fortified castle for one; a landscape with a view of a village, around its castle with a hill and surrounding woods. Pretty sketches a[...]
Original engraving by Gabriel Pérelle (1604-1677) depicting a view of the gardens of the Palace of Versailles entitled, La Salle des Festins. Etching. Very good condition. Printed by N Langlois in Par[...]
Italian school, circa 1600. The Presentation of Jesus in the Temple. Black chalk on laid paper. Attributed to Giovanni Balducci on the mount. Doubled. Stains, small pinholes, damaged upper corners. 27[...]
ETCHING AND BURIN SIGNED "CHAPERON" FOR NICOLAS CHAPERON 1612-1656 REPRESENTING A FAMILY OF SATYRS FROM THE COLLECTION "DE DIVERSES BACCHANALES" CREATED IN 1640 - VERY FINE PROOF ON LAID PAPER AND WAT[...]
Very beautiful original engraving by Carel Allard (1648-1709) after the work of Renier Noons known as Zeeman. Depicts a view of a port with sinking boats, is this after a battle? Etching on paper wate[...]
Etching depicting Corisca's escape, engraved by Richard Van Orley. Corisca manages to free herself from the satyr's hands. The satyr lies on the ground, Corisca's braid in his hand. This print from a [...]
17th century Dutch school, close to Gerrit Bleker. The Meeting of David & Abigail. Brown ink pen & brown wash on laid paper. Mounted on an 18th century mount, an unidentified collector's stamp at the [...]
This engraving is very interesting in its representation of a river landscape, houses, churches on the riverbank, enlivened by a hunting scene, figures and horses in the foreground. French school, mar[...]
Icon Icon Greece circa 1650 Dionysus of Olymp The icon is in excellent condition, completely original. The crossbars were fixed with nails which are marked on the front side in 4 points by a slight el[...]
NICOLAS LOIR (Paris, 1624-1679) Two ornamental engravings (circa 1660) [1.] Two cupids, seated on horns of plenty … from the suite of 12 pieces: Various ornaments Etching 10.5 x 15 cm (plate), 12 x 15[...]
Very beautiful engraving by the architect and engraver Jean Marot representing the Hotel de Liancourt in a landscape animated by riders and walkers. Marot's art lies in his architectural perspective m[...]
Salvator Rosa (1615–1673), Soldier with the Shield of Medusa. Etching, Figurine series, 17th century.
Original etching by Salvator Rosa (Naples 1615 – Rome 1673), from the celebrated Figurine s[...]
Watercolor on paper (41 x 31 cm), mounted under a mat. Shield: silver with an azure band charged with a golden fleur-de-lis, accompanied by two gules lions. Crest: facing helmet, surmounted by a bust [...]
"Lady of Palestine" FRENCH SCHOOL 17TH CENTURY Gouache on vellum. Framed. Dimensions of the subject: H 17 x W 12.2 cm. Dimensions of the entire sheet: H 23 x W 16.8 cm. www.galerie-mazarini.fr
Original 17th-century engraving by Jacques Callot (1592–1635), showing the entry of the Prince of Pfaltzbourg at the great court spectacle in Nancy, 1627.
This engraving depicts the solemn entry of[...]
EGBERT VAN HEEMSKERCKPEASANT DANCING IN A TAVERNEGBERT VAN HEEMSKERCKHaarlem 1634 – 1704 LondonPaper, sanguine26.5 x 39 cm / 10.4 x 15.4 inches; with black XIX century frame 43 x 55 cm / 16.9 x 21.7 i[...]
BON BOULLOGNE, attributed toTHE DEATH OF ALEXANDER THE GREAT WITH HIS GENERALS AND THE PERSONIFICATION OF IMMORTALITYBON BOULLOGNEParis 1649 - 1717 ParisGrey paper, black chalk and brush with ink, wit[...]
FRANCOIS GUÉRARD (circa 1660 - 1732) Scene from a Play of the Italian Comedy Circa 1690 Etching on paper 30.2 x 20.5 cm Signed: F. Guérard Scene from a play by the Italian Comedy published by the edit[...]
CLAUDE MELLAN (Abbeville 1598 - Paris 1688) after JACQUES STELLA (Lyon 1596 - Paris 1657) Saint Mary Magdalene at Sainte-Baume visited by angels Frontispiece to Introductionà la vie dévote by François[...]
Pietro Antonio Cotta after Guido ReniChildren with potted plants (x2) Circa 1640 Etching and burin 27 x 19 cm, each Inscribed at the bottom: Guid: Ren / P. in Virido: Mazarino / Petrus Antonius Cotta [...]
G. Wouters - Rome - Piazza Navona - 1693 Italy Grand Tour Bernini Engraving - Rome - Wouters, GommarusPiazza Navona, the ancient agonal circus of Emperor Severus Alexander, built on its grounds, with [...]
Rare engraving depicting the plan and perspective view of the Lyon City Hall, based on a drawing by architect Simon Maupin (1598-1668). Produced by the famous engraver and publisher Matthäus Merian, a[...]
The construction of the Palace of Versailles was the great project of the Sun King, which experienced several significant phases. The seven engravings that we present show the castle still on a square[...]
Beautiful black chalk drawing, project for a painting between two arches. The man, whose right leg is visible, seems to be sitting on a cloud on the left. Black chalk, very good condition. France, 17t[...]
Pen drawing enhanced with white representing Saint JEROME in the guise of an old man in meditation 17th century drawing of Italian origin Expertised by an approved expert in 1992, the expertise will b[...]
17th century engraving by Van Scuppen, depicting Eustache Le Sueur (1616-1655), considered one of the initiating painters of French Classicism. Co-disciple of Charles Le Brun and Nicolas Poussin. Good[...]
Simon Vouet (1590-1649) painter, Tortebat François (1616-1690) draughtsman, Boulanger Jean (1606-1660) engraver, Madonna and Child engraving on paper dated lower right: 1661 29.5 x 21 cmcontemporary f[...]
Mythological subject. The apple of discord. Pen, wash and watercolor on paper. Very good stylization of the characters in the treatment of expressions, the positioning of the bodies which gives a lot [...]
Pen, brown ink, and gouache on wove paper. Peace, embodied by the figure of a helmeted Minerva brandishing an olive branch, is invited by Lust, represented by a turbaned woman, to join a bacchanal. Th[...]
Roman School, early 17th century
Portrait of a Gentleman
Black chalk with stumping on slightly tinted laid paper, 23 × 30 cm
Inscribed Iower left, in a later hand: “Ant. van Dyck f. 1630”
Provena[...]
Italian school of the 17th century. Study of a ship. Brown ink pen & brown wash on laid paper, fragmentary watermark. Some pinholes, otherwise very good condition. 11.8 x 18.7 cm, slightly irregular e[...]
View of the Louvre, etching of the second state (of five) with the name of CALLOT, circa 1629-1630. Very beautiful proof printed on laid paper. The prints of the views of Paris (this one and the secon[...]
Engraving of a marine scene on the coast of Calabria by Peter Schenk, German engraver and cartographer (1660-1711). Period engraving in perfect condition, uncleaned in a recent frame
Interesting engraving after Jacques SARRAZIN, French sculptor and painter of the 17th century (1592-1660) and MATHIEU, French sculptor (1545 – 1611) representing the ruins of an old bridge on the Loir[...]
Attributed to Lambert de Hondt 1620 - 1665 Mechelen. Scene of deer hunting in the forest, allegory of the month of Mars. Black ink pen, gray & brown wash on laid paper. Inscribed MARS in black ink pen[...]
Interesting leaflet representing the satyr and the peasant (Aesop's fables) with French text on the back. Some foxing and undulations. Missing and chipped gilding of the frame. Dimensions of the frame[...]
This beautiful and rare engraving or ancient drawing reproduces the Ecce Homo by Correggio painted around 1520 and now preserved at the National Gallery, but once in the collection of the Preati famil[...]
Bolognese school of the 17th century. Lively landscape at the water's edge. Brown ink pen on laid paper. Lower left corner redone, central vertical fold, stains, wear, subject very legible. Glued by t[...]
Original steel engraving on watermarked laid paper. By MANNESSON MALLET, Cartographer / Engineer. Hand-watercolored. BEAUTIFUL ENGRAVING representing a view of the facade of the Palace of VERSAILLES. [...]
François Verdier (1651-1730)Episode from the life of Alexander the Great: the meetingWash and black chalkSheet size: 25.5 x 50 cmLaminated on another sheet with margin.Set of 4 drawings on the life of[...]
François Verdier (1651-1730)Episode from the life of Alexander the Great: the encounterWash and black chalkSheet size: 24.7 x 49.5cmLaminated on another sheet with margin.Set of 4 drawings on the life[...]
François Verdier (1651-1730)Episode from the life of Alexander the Great: the encounterWash and black chalkSheet size: 25.8 x 51 cmLaminated on another sheet with margin.Set of 4 drawings on the life [...]
François Verdier (1651-1730) Episode from the life of Alexander the Great Black wash and chalk Sheet size: 25.5 x 50 cm Laminated on another sheet with margin. Set of 4 drawings on the life of Alexand[...]
4 engravings representing the Silver Age, the Iron Age, the Golden Age and the Bronze Age. Old prints. French School of the 17th century. Engraved by Bonn, rue Saint Jacques in Paris.
Nice print, formerly doubled, cut at the limit or slightly beyond the copper, some scattered foxing. From the suite of: Bacchanales (RD/IFF: 6-11) Ca.1650 Robert Dumesnil: 9 Inventory of the French Fu[...]
Italian school of the 17th century. View of ruins. Brown ink pen and brown wash over black chalk lines. Bottom right, stamp of the Philipp Hermann collection, Lugt 1352a. Very good condition. 22.8 x 1[...]
The Marly machine is a technical feat of engineering of the great century. It attempts, and unfortunately will not be of the hoped-for performance, to raise the waters of the Seine, to supply the foun[...]
After Karel van Mander. Beautiful old and finely lined print, trimmed to the copper limit or slightly beyond. Proof from the Camberlyn collection, the mark of which appears on the reverse. Hollstein: [...]
Edward Lutterell 1650 - 1725. Portrait of Lucas Vorsterman. Black chalk & gouache on laid paper. Fragmentary watermark: crowned coat of arms. Very good condition, framed. 26.9 x 21.7 cm -view. 34 x 29[...]
"Vera et accurata desciptio situationis Magnae Cartusiae, primariae domus sacri ordinis Cartusiensis prout jacet in ea parte regni Franciae quam Delphinatum vocant: Reuvrendissimo in Christo Patri D. [...]
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