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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004

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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-2
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-3
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-4
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-1
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-2
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-3
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-4
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-5
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Fernandez Arman (1928–2005) - Sculpture, Jazzy Jaguar - 66 Cm - Bronze, Metal - 2004-photo-6
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The sculpture is composed of an elegant patinated bronze panther, intertwined with a gilt-patinated saxophone element. The whole is mounted on a sober black base, giving the piece a strong architectural presence and a refined contemporary display quality.

The work is signed “Arman” and numbered 71/99, from an edition of only 99 examples.

This model is referenced in Denyse Durand-Ruel & Marc Moreau, Arman Multiples, catalogue raisonné, 2014, under catalogue number 30, with a similar model reproduced on page 65.

Arman, born Armand Pierre Fernandez, was one of the major figures of the Nouveau Réalisme movement. His work is celebrated for its accumulations, cut-outs, decompositions and reassemblies of everyday objects, especially musical instruments, which became one of his most iconic subjects. In “Jazzy Jaguar”, the artist transforms the saxophone into a sculptural rhythm, visually echoing the movement and tension of the panther.

It is a collector’s piece suitable for a modern interior, art collection, music-themed collection or contemporary sculpture display.

Condition: very good condition

Signature / numbering: signed Arman and numbered 71/99.
Date: 2004.
Medium: patinated bronze and gilt-patinated metal/bronze element, mounted on black base.

Reference: Denyse Durand-Ruel & Marc Moreau, Arman Multiples, catalogue raisonné, 2014, no. 30, similar model reproduced p. 65.

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Large Bronze “the Horse Of Marly”, After Coustou – Early 20th Century
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