Madonna And Child Asleep, Giovan Battista Salvi (1609–1685), Cerchia
Artist: Giovan Battista Salvi Dit "il Sassoferrato" (1609 - 1685) Cercle/atelier
Giovan Battista Salvi, known as "il Sassoferrato" (1609–1685) Cerchia/workshop
Madonna with the Sleeping Child
Oil on canvas (84 x 66 cm – Framed (19th century) 112 x 95 cm.
Full details at the following link -
The painting presented here, executed in the second half of the 17th century with fine craftsmanship and a refined touch, depicts the Madonna in adoration as she gently holds the sheet on which the sleeping Child lies, with a gesture of protection and pride that fosters an atmosphere of intimate contemplation.
The compositional prototype was conceived by the great Bolognese master Guido Reni (1575–1642), as evidenced by an engraving by François de Poilly (Paris, 1623–1693) (https://www.metmuseum.org/art/collection/search/667926). Like many of Reni’s works, it was later revisited and popularized by subsequent versions executed by his students and followers, such as the ‘Madonna and Child’ attributed to Francesco Gessi (Bologna, 1588 –1649) and now in the Louvre (https://collections.louvre.fr/ark:/53355/cl010061140).
This subject, although with some variations—often in the pose of the sleeping child, facing upward as in this version rather than reclining on its side, or in the position of the Virgin, with her hands clasped in prayer—enjoyed such success that it became the favored model for countless works intended for private devotion throughout the 17th century.
One of the major propagators of Rhenish images was undoubtedly Giovan Battista Salvi, known as “il Sassoferrato” (1609–1685), who, in his thriving workshop, took up these subjects but reworked them in his own distinct style, characterized by remarkable elegance, tenderness, and formal perfection—particularly in the faces—thus achieving an effect of incredible intensity.
Born in the Marche region, Salvi developed his career in Rome, following the dictates of the classical religious painting of the Bolognese school of Reni, Carracci, and Domenichino, yet managing to develop an independent and therefore highly distinctive style. The Madonnas produced in his workshop, with their pale faces and brightly colored robes, the gentleness of their gazes, and the grace of their features, would, two centuries later, provide inspiration to the Pre-Raphaelites and numerous other 19th-century artists.
Our canvas is in good condition, although it shows some old retouching and minor losses of paint, as can be clearly seen in the published photographs; however, these do not detract from its beauty. The work is complemented by a lovely 19th-century wooden frame.
ADDITIONAL INFORMATION:
The work is sold with a certificate of authenticity and a descriptive iconographic sheet.
We handle and arrange the transport of purchased works, both within Italy and internationally, through professional and insured carriers.
If you would like to view this or other works in person, we would be delighted to welcome you to our new gallery in Riva del Garda, located at Viale Giuseppe Canella 18. We look forward to seeing you!
If the artwork is purchased by non-Italian clients, an export permit will be required, which takes approximately 10–20 days to process; our gallery will handle the entire process until the permit is obtained. All costs associated with this procedure are included.
Please contact us for any information; we will be happy to assist you.
Follow us on:
https://www.instagram.com/galleriacastelbarco/?hl=it
https://www.facebook.com/galleriacastelbarco/
Madonna with the Sleeping Child
Oil on canvas (84 x 66 cm – Framed (19th century) 112 x 95 cm.
Full details at the following link -
The painting presented here, executed in the second half of the 17th century with fine craftsmanship and a refined touch, depicts the Madonna in adoration as she gently holds the sheet on which the sleeping Child lies, with a gesture of protection and pride that fosters an atmosphere of intimate contemplation.
The compositional prototype was conceived by the great Bolognese master Guido Reni (1575–1642), as evidenced by an engraving by François de Poilly (Paris, 1623–1693) (https://www.metmuseum.org/art/collection/search/667926). Like many of Reni’s works, it was later revisited and popularized by subsequent versions executed by his students and followers, such as the ‘Madonna and Child’ attributed to Francesco Gessi (Bologna, 1588 –1649) and now in the Louvre (https://collections.louvre.fr/ark:/53355/cl010061140).
This subject, although with some variations—often in the pose of the sleeping child, facing upward as in this version rather than reclining on its side, or in the position of the Virgin, with her hands clasped in prayer—enjoyed such success that it became the favored model for countless works intended for private devotion throughout the 17th century.
One of the major propagators of Rhenish images was undoubtedly Giovan Battista Salvi, known as “il Sassoferrato” (1609–1685), who, in his thriving workshop, took up these subjects but reworked them in his own distinct style, characterized by remarkable elegance, tenderness, and formal perfection—particularly in the faces—thus achieving an effect of incredible intensity.
Born in the Marche region, Salvi developed his career in Rome, following the dictates of the classical religious painting of the Bolognese school of Reni, Carracci, and Domenichino, yet managing to develop an independent and therefore highly distinctive style. The Madonnas produced in his workshop, with their pale faces and brightly colored robes, the gentleness of their gazes, and the grace of their features, would, two centuries later, provide inspiration to the Pre-Raphaelites and numerous other 19th-century artists.
Our canvas is in good condition, although it shows some old retouching and minor losses of paint, as can be clearly seen in the published photographs; however, these do not detract from its beauty. The work is complemented by a lovely 19th-century wooden frame.
ADDITIONAL INFORMATION:
The work is sold with a certificate of authenticity and a descriptive iconographic sheet.
We handle and arrange the transport of purchased works, both within Italy and internationally, through professional and insured carriers.
If you would like to view this or other works in person, we would be delighted to welcome you to our new gallery in Riva del Garda, located at Viale Giuseppe Canella 18. We look forward to seeing you!
If the artwork is purchased by non-Italian clients, an export permit will be required, which takes approximately 10–20 days to process; our gallery will handle the entire process until the permit is obtained. All costs associated with this procedure are included.
Please contact us for any information; we will be happy to assist you.
Follow us on:
https://www.instagram.com/galleriacastelbarco/?hl=it
https://www.facebook.com/galleriacastelbarco/
7 900 €
Period: 17th century
Style: Renaissance, Louis 13th
Condition: Excellent condition
Material: Oil painting
Width: 66 cm./ encadré 95 cm.
Height: 84 cm./ encadré 112 cm.
Reference (ID): 1757454
Availability: In stock
Print
