THIS OBJECT WAS SOLD
Clock Naïde Bronzer : Marchand / Watchmaker: Dewint
A Napoleon III period clock, circa 1855, remarkable for its generous
dimensions and aesthetic balance. This piece immediately captivates
with the exceptional quality of its craftsmanship, demonstrating the
masterful expertise characteristic of the mid-19th century. Its state
of preservation is particularly noteworthy, retaining all the finesse
of its chasing and the richness of its patina. A rare and precious
find, this clock bears the signatures of both the bronze caster and the
clockmaker, both listed in the renowned Tardy dictionary of clockmakers
for the period 1850-1860, a guarantee of authenticity and quality.
The patinated bronze sculpture depicts an elegant naiad pouring water, reclining gracefully in a pose that is both natural and poetic. Her delicately modeled body rests supplely, while her arm flows gracefully over an amphora from which an imaginary spring seems to flow. The treatment of the face is exquisitely delicate: soft features, a downcast gaze imbued with melancholy and an almost contemplative serenity. The finely crafted hair, adorned with naturalistic details, accentuates the overall harmony of the composition. The whole evokes a bucolic and mythological world, where the female figure embodies both grace and the movement of water. The depicted female figure belongs to the iconographic tradition of the naiads, those freshwater nymphs from Greco-Roman mythology, guardians of springs, rivers, and fountains. Here, the artist has captured with great sensitivity the very essence of this mythological figure: an embodiment of water that is at once vibrant, fluid, and soothing. The naiad, reclining in a supple and surrendered posture, seems to be engaged in a silent dialogue with the element she represents, her gesture naturally accompanying the movement of the water flowing from the amphora. Her gentle and restrained demeanor conveys a sense of inner reverie, almost meditative. Her slanted gaze and half-closed eyelids suggest a discreet presence, as if absorbed by the murmur of the spring. This poetic dimension is enhanced by the exquisite modeling, where each curve of the body is rendered with delicacy and restraint, in a perfect balance between realism and idealization.
The gilt-bronze base is distinguished by its richly structured architecture and highly virtuosic ornamentation. The foliage, floral, and scroll motifs intertwine elegantly, revealing remarkably precise chasing and brilliant gilding. The surface finish subtly alternates between matte and glossy, highlighting every detail. The perfectly preserved, domed white enamel dial offers refined legibility with its delicately executed numerals and inscriptions, complemented by finely openworked gilt-bronze hands whose design underscores the overall refinement.
In conclusion, this clock is an exceptional work of art, both for the quality of its carving and the richness of its mount. It harmoniously combines art, technique, and history, making it a rare and precious piece.
Original mechanism intact, without modification. The hour and half-hour strikes are played on an antique bell with a clear and authentic sound. The mechanism and pendulum are numbered 116.
ORDERING AND ADDITIONAL INFORMATION FROM OUR WEBSITE
The patinated bronze sculpture depicts an elegant naiad pouring water, reclining gracefully in a pose that is both natural and poetic. Her delicately modeled body rests supplely, while her arm flows gracefully over an amphora from which an imaginary spring seems to flow. The treatment of the face is exquisitely delicate: soft features, a downcast gaze imbued with melancholy and an almost contemplative serenity. The finely crafted hair, adorned with naturalistic details, accentuates the overall harmony of the composition. The whole evokes a bucolic and mythological world, where the female figure embodies both grace and the movement of water. The depicted female figure belongs to the iconographic tradition of the naiads, those freshwater nymphs from Greco-Roman mythology, guardians of springs, rivers, and fountains. Here, the artist has captured with great sensitivity the very essence of this mythological figure: an embodiment of water that is at once vibrant, fluid, and soothing. The naiad, reclining in a supple and surrendered posture, seems to be engaged in a silent dialogue with the element she represents, her gesture naturally accompanying the movement of the water flowing from the amphora. Her gentle and restrained demeanor conveys a sense of inner reverie, almost meditative. Her slanted gaze and half-closed eyelids suggest a discreet presence, as if absorbed by the murmur of the spring. This poetic dimension is enhanced by the exquisite modeling, where each curve of the body is rendered with delicacy and restraint, in a perfect balance between realism and idealization.
The gilt-bronze base is distinguished by its richly structured architecture and highly virtuosic ornamentation. The foliage, floral, and scroll motifs intertwine elegantly, revealing remarkably precise chasing and brilliant gilding. The surface finish subtly alternates between matte and glossy, highlighting every detail. The perfectly preserved, domed white enamel dial offers refined legibility with its delicately executed numerals and inscriptions, complemented by finely openworked gilt-bronze hands whose design underscores the overall refinement.
In conclusion, this clock is an exceptional work of art, both for the quality of its carving and the richness of its mount. It harmoniously combines art, technique, and history, making it a rare and precious piece.
Original mechanism intact, without modification. The hour and half-hour strikes are played on an antique bell with a clear and authentic sound. The mechanism and pendulum are numbered 116.
ORDERING AND ADDITIONAL INFORMATION FROM OUR WEBSITE
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