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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.

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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-2
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-3
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-4
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-1
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-2
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-3
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-4
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-5
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Decorative Element For Wolf Hunting, Made Of Carved And Gilded Wood, 18th Century.  -photo-6
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A rare and unique 18th-century carved and gilded wooden decorative element depicting a wolf caught in a hunting trap, within a composition of exceptional quality. The scene features a rich and structured composition, combining the animal with various hunting attributes such as a rifle, a pike, and oak branches adorned with acorns. The finely carved whole is organized as a true decorative motif with symbolic interpretation, where the elements are articulated with balance and coherence. Beyond its ornamental character, this work is directly linked to the world of wolf hunting, an ancient royal institution responsible under the Ancien Régime for regulating and eliminating wolves within the territory. Structured and hierarchical, this function was part of a veritable hunting administration, headed by the Grand Wolf Hunter and his lieutenants, whose actions were carried out within a strictly regulated framework. The composition thus transcends the mere depiction of a hunting scene: it should be understood as an allegory of function, almost heraldic in its essence. The wolf, associated with arms and attributes, becomes the symbol of a mission and an authority, reflecting the mastery of man—and more broadly, of the State—over an animal then considered harmful. It is important to place this iconography within its historical context: under the Ancien Régime, the wolf, then widespread throughout the territory, was considered a real threat to livestock and sometimes to humans, justifying the institutional organization of its control. This work thus bears witness to a reality that has now vanished and should be understood as a document of civilization as much as a decorative object. While hunting-related decorations were common in the 18th century, particularly in hunting lodges and aristocratic interiors, representations specifically linked to wolf hunting remain remarkably rare. Unlike the deer or the wild boar, the wolf is not considered noble game, which gives this type of composition a unique and historically significant character. Through its subject matter, quality of execution, and symbolic significance, this work stands out as a rare decorative element related to wolf hunting, with strong historical and iconographic dimensions, likely intended to adorn a hunting lodge, woodwork, or an interior connected to this function. The piece is presented in a fine state of preservation despite some minor losses. The original gilding shows wear consistent with the piece's age, contributing significantly to its interpretation and authenticity. Dimensions: Height: 21.5 cm Width: 39 cm A rare and evocative testament to the hunting culture of the Ancien Régime, where wolf hunting was as much a necessity as an assertion of organized authority.

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Turkish Turban Rest, Gilded Wood, Late 19th Century
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