A softening of the brushstrokes and a marked interest in the effects of light and atmosphere are evident, reflecting an Impressionist sensibility, while retaining the rigor of drawing inherited from his academic training. A student of Jean-Léon Gérôme at the École des Beaux-Arts in Paris, Ralli remained committed to the structure of composition, but here moves away from overly polished painting in favor of a direct observation of the subject. This type of landscape testifies to the evolution of his pictorial language at the turn of the 20th century. Framed.





























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