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The Crucifixion - Large Flemish Canvas - First Of The 16th Century
"The Crucifixion"
Flemish Master
Oil painting on canvas
First of the 17th century
Important lacquered frame
Canvas 102 x 127 frame 120 x 145
The work is in excellent condition
The "Golgotha" scene is represented here with the presence under the Cross of all the characters described by the Gospels. The position of the protagonists is the traditional one, which sees the beloved Apostle John standing on the right, the Magdalen kneeling at the feet of Christ and the Mother lying on the right of the Cross with her hands joined and her gaze turned towards the Son. Behind the Virgin, half hidden by the little light, we see the Sister of the Virgin and Marie de Cléofa to complete the group of "Pious Women". Two pairs of flying angels on either side of Jesus enliven the upper part of the composition. Tears flow from their lively eyes and cause emotion in the viewer. The body of Christ, in the center of the scene, is of great impact with a marked anatomy, enhanced by the chiaroscuro and by the now almost nocturnal context. The dark background highlights the characters struck by a frontal light that illuminates the faces and the clothes in bright and particularly pleasant colors. The large canvas was painted by a Flemish master of the 17th century and respects the typical typology of Nordic crucifixions of the late Renaissance. The work is complete with an important antique black lacquered frame with a golden profile.
Flemish Master
Oil painting on canvas
First of the 17th century
Important lacquered frame
Canvas 102 x 127 frame 120 x 145
The work is in excellent condition
The "Golgotha" scene is represented here with the presence under the Cross of all the characters described by the Gospels. The position of the protagonists is the traditional one, which sees the beloved Apostle John standing on the right, the Magdalen kneeling at the feet of Christ and the Mother lying on the right of the Cross with her hands joined and her gaze turned towards the Son. Behind the Virgin, half hidden by the little light, we see the Sister of the Virgin and Marie de Cléofa to complete the group of "Pious Women". Two pairs of flying angels on either side of Jesus enliven the upper part of the composition. Tears flow from their lively eyes and cause emotion in the viewer. The body of Christ, in the center of the scene, is of great impact with a marked anatomy, enhanced by the chiaroscuro and by the now almost nocturnal context. The dark background highlights the characters struck by a frontal light that illuminates the faces and the clothes in bright and particularly pleasant colors. The large canvas was painted by a Flemish master of the 17th century and respects the typical typology of Nordic crucifixions of the late Renaissance. The work is complete with an important antique black lacquered frame with a golden profile.
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