This wild boar hunting scene engraved by I.Galle after J.Stradanus is the twenty second of the series Venationes serarum avium piscium. Note some foxing.
This fishing scene in the Arno in Florence is part of the Venationes serarum avium piscium series drawn by Johan Stradanus and engraved by Philip Galle towards the end of the 16th century.
This engraving by Jan Sadeler after Martin De Vos is one of 364 engravings illustrating Genesis published in three volumes at the end of the 16th century. Note some foxing.
This engraving is the seventeenth in the series of twenty "Nova Reperta" drawn by Jan Van Der Straet dit Johannes Stradanus (1523-1605) which constitutes an engraved encyclopedia of the most important[...]
This engraving is the thirteenth in the series of twenty "Nova Reperta" drawn by Jan Van Der Straet dit Johannes Stradanus (1523-1605) which constitutes the encyclopedia of the most important discover[...]
Suez isthmus
Panoramic view of the isthmus of Suez.
Exceptional in size and quality of execution coloured lithograph by Hubert Clerget (1818-1899), drawn by Linant de Bellefonds.
64, 7 x 73,7 cm sh[...]
From the Set : History of Jason and the conquest of the golden fleece
After L. Thiry
(RD: 39 to 64)
Nice print, proof cut at the edge of the square line.
R. Dumesnil: 58
From the Set: History of Jason and the conquest of the Golden Fleece
After L. Thiry
(RD: 39 to 64)
Beautiful print, proof cut at the edge of the copper, some scattered foxing.
R. Dumesnil: 54
Italian School, around 1600
Biblical scene, with a figure kneeling before Christ
Pen and brown ink, wash on red chalk and heightened white on paper
11.5 x 18.5 cm
Provenance:
-Mark of the William[...]
MOTHER OF CONSOLATION CRETE 16TH CENTURY CIRCLE OF NIKOLAOS TZAFOURIS OIL PAINTING ON A GOLD BACKGROUNDWALNUT WOOD PANELMEASURES EXCEPT THE COEVA FRAME 31 X 25
"Horsemen"
TEMPESTA Antonio (1555-1630).
Drawing in pen and brown wash, lack on paper.
Gilded wooden frame, from the 19th century.
Dimensions: H 8.3 x W 21.4 cm.
Our drawing corresponds[...]
Print from the school of Montorgueil representing an audience scene, subject much represented at the time. Woodcut in good condition Sheet of 21 hard 28 cm approximately
"Trophies"
ITALIAN SCHOOL LATE 16TH CENTURY
Pen and brown wash drawing.
Bears an inscription on the mounting: "Polidoro Caldara detto da Caravaggio / Lombard School 1495-1543".
Provenance: A[...]
Print of the suite: Christ and the Apostles
(H.240 to 253)
1594
Reference: Hollstein n°248
Good impression cut at the copper limit and mounted on a page from an old album.
Gravure signée Jan Muller* représentant la scène biblique de Caïn tuant son frère Abel, juste avant qu'il ne le frappe ; en arrière-plan Caïn s'éloigne, chassé du Jardin d'Eden, d'après une composit[...]
From a suite: Heroines of History
Bartsch: 254
Good proof, some brown spots in the outer borders.
Copper width: 55.00
Copper height: 85.00
Leaf width: 73.00
Leaf height: 100.00
From the set: "History of Genesis"
State I/II before address
Nice print, cut at the copper limit, remnants of old mounts on the back, some small brown stains and thinning in the borders on the back.[...]
After Hendrck Goltzius, around 1600.
The Hunchback.
Pen and brown ink & gray wash on watermarked laid paper - coat of arms with a unicorn.
The ink has damaged the paper in places - see photo [...]
Saint Andrew
Reference: Nagler 1858-79 III.896
The typographic text on the prints identifies it as an illustration for one of Geiler's 'Predigt' books, most likely the "Brösamlein von des hochge[...]
Beautiful proof of the suite of: Mascarons after Giulio Romano (B.108-127)
Bartsch: 124
Copper width: 88.00
Copper height: 111.00
Leaf width: 150.00
Leaf height: 210.00
Large and precious illumination produced on vellum around 1500. It is a biblical scene representing a saint giving the last rites to the dying (perhaps victims of the plague). Work of great finesse of[...]
Reference: Nagler 1858-79 III.896
The typographical text on the prints identifies it as an illustration for one of Geiler's 'Predigt' books, most likely the "Brösamlein von des hochgelerten Keiserp[...]
Old drawing from the 16th century
Annotated Italian school "Giulio Campi in Cremona"
Chapel project, brown ink and mauve wash.
Former Bouvrie collection
Unidentified stamp lower left
Provenance: [...]
Reference: Nagler 1858-79 III.896
The typographical text on the prints identifies it as an illustration for one of Geiler's 'Predigt' books, most likely the "Brösamlein von des hochgelerten Keiserp[...]
Engraving after Raphael engraved by Philippe Galle (1537-1612) important Flemish engraver.
1589
37,8 x 26,4 cm
Museum mounting in passe-partout, no margins.
Nice proof, good condition.
All our ol[...]
Phemonoe
After Michelangelo.
From the suite of: Prophets and Sibyls
1563
Nice print from the end of the 16th century.
Copper width: 105.00
Copper height: 145.00
Sheet width: 130.00
Sheet hei[...]
Northern School of the 16th.
Emperor Barbarossa consolidates the Roman Empire.
Pen in brown ink, brown wash & white highlights.
Trace of monogram at the bottom right,
Slight stains & creas[...]
Plate from the suite: The Fable of Psyche after Raphaël
After to the version by Bernardo Daddi (cf. Bartsch XV.223.69)
Early 17th century print
Copper width: 215.00
Copper height: 195.00
Sheet [...]
Plate 16 from the suite of: Masquerades
1597
State I/II before number
Le Blanc: 27
Inv.BN: 16
Copper width: 135.00
Copper height: 200.00
Sheet width: 178.00
Sheet height: 278.00
According to Aldegrever: the story of the good Samaritan (cf. Bartsch: 40 to 43)
Stamp on the back of the LKB collection (Leroy Kirwin Burket (1920-2003) artist, teacher of Fine Arts in the United St[...]
1594 map of Provence, from Provinciae Regionis" Galliae....Petro Joanne Bompario Auctore. 1594. (Arles, Martigues, Marseille, La Ciotat, Cannes etc... Period map. On the back, the printed page of the[...]
"The kidnapping of Héléne". After Raphael (1483-1520)
Etching 16th century burin
Engraver Marcantonio Raimondi (1480-1534)
Dedicated to Joseph de Rubei junioris formis.
A copy can be found at the [...]
From a series of engravings, coming from a property in the Drôme, these views of Hardales, and Cartama, surroundings of Malaga, second part of 16th century, due to the designer Georgius Houfnaglius, 1[...]
Old watercolor drawing from the '500 titled "Falcon hunting in Lombardy". It is divided into three parts, which represent three temporally distinct moments: on the right we see the man pulling the bri[...]
Senatus Populus que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto
Proof with a watermark: Orb surmounted by a star
The date and address of Lafreri lower right.
1548
Antoine Lafréry,[...]
From the following: Seven planets with the zodiacs
(B.: 113 to 120)
State IV / IV with recovery on the top of the thighs.
Beautiful print cut to the limit of copper.
Bartsch: 118
From the continuation "Ruinarum varii prospectus, ruriumque aliquot delineationes".
Beautiful print, scattered foxing, cut at the limit of the subject on three sides, slight thinning of the paper on [...]
MINIATURE ON VELIN XVIth century, probably Loire Valley LAVRA FRANCESCI PETRARCH CVRA Diameter: 5.5 cm Portrait of 3/4 in medallion of Laure de Sade (1310-1348), also known as Laure de Noves, who was [...]
"Saint Barthélemy"
ITALIAN SCHOOL, Genoa, 16th century.
An attribution to Luca CAMBIASO (1527-1585) has been suggested.
Pen and brown wash drawing, stains.
Dimensions: H 45.7 cm x W 29.3 cm.[...]
From the continuation of: The History of Amnon and Tamar (B: 22 to 28)
State II / II
Bartsch: 28
Unidentified (collector's) mark on the back, letter v in a red circle.
Copper width: 78
Copper hei[...]
Print of the continuation of: Seven works of mercy.
Bartsch: 64
The seven corporal works of mercy, to differentiate them from the other seven so-called spiritual ones, are: giving food to the hung[...]
After D. Barendsz.
Hollstein: 265
The key to reading this print is found in the biblical verses at the bottom: "Ita erit et adventus filii hominis", relating to chapter 24 of the Gospel of Matthew[...]
Proantic uses a cookie to analyze traffic and improve its service by using Google Analytics. Data sent to Google Analytics (frequency of visits to the site and pages visited) are anonymous. No other cookie tracks your activity, your personal data is not collected. Thank you for helping us to have better understanding how Proantic is used.