Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805-photo-2
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805-photo-3
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805-photo-4
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805-photo-1
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805-photo-2
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805-photo-3
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805-photo-4
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805-photo-5

Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805

Artist: Attribuée à Claude Galle

An elegant and refined pair of Consulate–Empire-period candelabra, crafted from finely chiseled, gilded, and patinated bronze, circa 1805, and attributed to the famous Parisian bronze artist Claude Galle (1759–1815).

These candelabra are a remarkable expression of the “Return from Egypt” style, which flourished in France following Napoleon Bonaparte’s Egyptian campaign.

Each torch rests on a broad circular base of gilded bronze, richly adorned with stylized palmettes and finely chiseled classical motifs. It supports an elegant, tapered, fluted shaft of bronze with a dark patina, offering a superb contrast to the gilded elements.

The lower part of the shaft ends in three pairs of finely modeled human feet, while the upper part is adorned with three Egyptian female heads, each wearing the traditional nemes. These sculptural figures support a vase-shaped bowl topped by a circular finial.

The elegance of the architectural proportions, the richness of the Egyptian iconography, and the subtle contrast between gilded bronze and patinated bronze are characteristic of the most refined Parisian creations from the early Empire period.

Of particular historical interest, an identical model is documented in the French imperial collections. A pair appeared in the 1807 inventory of Emperor Napoleon’s bedroom at the Château de Saint-Cloud. It was subsequently placed at the Grand Trianon before returning to the Garde-Meuble.

This model is also illustrated in Marie-France Dupuy-Baylet’s reference work, L’Heure, le Feu, la Lumière – Les bronzes du Mobilier National.

Claude Galle was one of the most important Parisian bronze casters of the Consulate and Empire periods. He created prestigious decorative bronzes intended, in particular, for the imperial residences at Fontainebleau and Saint-Cloud.

A particularly elegant and historically interesting pair, notable for its “Return from Egypt” decoration, the quality of its chiseling, and the harmony between the gilded bronze and the bronze with a dark patina.

France, circa 1805
Consulate period – Empire
Attributed to Claude Galle (1759–1815)
Gilded and patinated bronze
Dimensions: H. 28 × D. 14 cm

2 400 €

Period: 19th century

Style: Consulat, Empire

Condition: Excellent condition

Material: Bronze

Length: 28

Width: 14

Reference (ID): 1807669

Availability: In stock

Print

Keramiekstraat 28
Bilzen 28 3740, Belgium

0031642510212

0032469115104

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Mora Antiques
Pair Of “return From Egypt” Empire-style Candelabra, Attributed To Claude Galle, Circa 1805
1807669-main-6a7c98a1a0736.jpg

0031642510212

0032469115104



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