Saint Jerome In His Study. 17th Century
Ecole of Godfried Schalcken (1643-1706)
Oil on panel
Presented in a sober Flemish-style frame in blackened wood, with inverted profile and guilloche motifs
Dimensions with its frame: 47 x 40 cm. Panel alone: 31 x 25 cm
This intimate work depicts Saint Jerome, one of the four Latin Church Fathers, here shown in his study, absorbed in writing the Vulgate, the authoritative Latin translation of the Bible for centuries. The cardinal's hat, hanging in the background, recalls his honorary status in Christian iconography, although Jerome was never a cardinal in the modern institutional sense. He is, however, traditionally depicted as such, a symbol of his spiritual and intellectual authority.
The scene is lit by the fragile glow of a candle, the only source of light that models the saint's face, his bare torso and the symbolic objects placed before him: the open book, the feather, and the skull, an allusion to the vanity of earthly things. This nocturnal atmosphere, where the light seems to breathe, bears witness to the influence of Godfried Schalcken(1643-1706), the Dutch master of intimate chiaroscuro and candlelit scenes.
In traditional iconography, Saint Jerome is sometimes accompanied by a lion, recalling the legendary episode in which he is said to have removed a thorn from the paw of the animal, which then became his faithful companion. While the lion does not appear here, its symbolic presence remains filigree, reinforcing the narrative and spiritual dimension of the scene.
In the XVIIᵉ century, several artists explored with virtuosity this aesthetic of artificial light, which had become a veritable pictorial language. Among them:
Gerrit Dou, pioneer of meticulous chiaroscuro and master of Schalcken.
Pieter van Slingelandt and the Leiden fijnschilders, heirs to this tradition of extreme precision.
Georges de La Tour, in France, whose candlelit scenes achieve a unique meditative intensity.
Adam de Coster, nicknamed "the candle painter", a specialist in dramatic compositions illuminated by a flame.
The work presented is fully in line with this aesthetic research: the candle is not just a motif, but a structuring principle, revealing the saint's inner presence and inviting the viewer to share a moment of silence and contemplation.
Nice condition. Sold with a certificate of authenticity
Period: 17th century
Style: Renaissance, Louis 13th
Condition: Perfect condition
Material: Oil painting on wood
Width: 40
Height: 47
Reference (ID): 1743712
Availability: In stock





























