Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.
Artist: Jacopo Amigoni (venise 1682 - Madrid 1752)
Jacopo Amigoni (Venice 1682 - Madrid 1752) - Madonna with Child and Young Saint John.
82 x 62 cm without frame, 104.5 x 86.5 cm with frame.
Oil on canvas, in a carved and gilded wood frame.
Expert opinions: Prof. Dario Succi, Gorizia (critical essay attached).
Jacopo Amigoni is one of the leading figures of European Rococo, a pupil of Antonio Bellucci and a prominent name in early 18th-century Venetian painting, who worked successfully at the major courts of the continent, Bavaria, England, Spain, before settling permanently in Madrid, where he died in 1752. The Madonna with Child was one of his most characteristic sacred subjects, treated with a chromatic sensibility and painterly touch that grew increasingly refined over the course of his career.
The composition depicts the Virgin with her gaze turned toward heaven, cradling the sleeping Child in her arms. Beside her, the young Saint John — identifiable by the slender reed cross and the delicate gilded halo — contemplates the scene with hands joined in prayer. The fluid brushwork, the delicate chromatic treatment of the Virgin's almost adolescent face, the contrast between the cobalt mantle and the red dress, and the soft plastic rendering of the infant all point with certainty to the artist's mature period, datable to around the early 1740s, following his return to Venice from England. The comparison with the Madonna with Child and Young Saint John in the Terruzzi collection and with the altarpiece of the Visitation in the Venetian church of Santa Maria della Consolazione, known as the Fava (documented 1743), supports this dating, as noted by Dario Succi in the attached critical essay.
Condition report: Original canvas with perimeter reinforcement strips. Good state of conservation of the pictorial surface.
- All shipments to the EU are free and professionally packaged. - This item is sold with a certificate of authenticity with legal validity. - Further details on the condition report are available upon request. - Viezzi Arte guarantees quality and professionalism at competitive prices, contact us on info@viezziarte.it or via What’sApp at +39 3402841279. * Message addressed to non-Italian buyers: Please keep in mind that this work has not yet obtained the certificate of free export from Italy from the Superintendence of Cultural Heritage. This document certifies that the work is not part of the Italian cultural heritage. Normally the times for issuing certificates are 40 days from the date of the appointment: The new legislation in force from 2021 provides for shorter times at the discretion of the expert commission for declared amounts of less than € 13,500. All costs of this operation are included.
82 x 62 cm without frame, 104.5 x 86.5 cm with frame.
Oil on canvas, in a carved and gilded wood frame.
Expert opinions: Prof. Dario Succi, Gorizia (critical essay attached).
Jacopo Amigoni is one of the leading figures of European Rococo, a pupil of Antonio Bellucci and a prominent name in early 18th-century Venetian painting, who worked successfully at the major courts of the continent, Bavaria, England, Spain, before settling permanently in Madrid, where he died in 1752. The Madonna with Child was one of his most characteristic sacred subjects, treated with a chromatic sensibility and painterly touch that grew increasingly refined over the course of his career.
The composition depicts the Virgin with her gaze turned toward heaven, cradling the sleeping Child in her arms. Beside her, the young Saint John — identifiable by the slender reed cross and the delicate gilded halo — contemplates the scene with hands joined in prayer. The fluid brushwork, the delicate chromatic treatment of the Virgin's almost adolescent face, the contrast between the cobalt mantle and the red dress, and the soft plastic rendering of the infant all point with certainty to the artist's mature period, datable to around the early 1740s, following his return to Venice from England. The comparison with the Madonna with Child and Young Saint John in the Terruzzi collection and with the altarpiece of the Visitation in the Venetian church of Santa Maria della Consolazione, known as the Fava (documented 1743), supports this dating, as noted by Dario Succi in the attached critical essay.
Condition report: Original canvas with perimeter reinforcement strips. Good state of conservation of the pictorial surface.
- All shipments to the EU are free and professionally packaged. - This item is sold with a certificate of authenticity with legal validity. - Further details on the condition report are available upon request. - Viezzi Arte guarantees quality and professionalism at competitive prices, contact us on info@viezziarte.it or via What’sApp at +39 3402841279. * Message addressed to non-Italian buyers: Please keep in mind that this work has not yet obtained the certificate of free export from Italy from the Superintendence of Cultural Heritage. This document certifies that the work is not part of the Italian cultural heritage. Normally the times for issuing certificates are 40 days from the date of the appointment: The new legislation in force from 2021 provides for shorter times at the discretion of the expert commission for declared amounts of less than € 13,500. All costs of this operation are included.
12 000 €
Period: 18th century
Style: Louis 15th - Transition
Condition: Condition of use
Material: Oil painting
Length: 62
Height: 82
Reference (ID): 1732351
Availability: In stock
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