Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.
Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.-photo-2
Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.-photo-3
Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.-photo-4
Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.-photo-1
Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.-photo-2
Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.-photo-3
Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.-photo-4

Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.

Artist: Vincenzo Colleoni (actif à Venise Dans La Seconde Moitié Du Xixe Siècle)
Vincenzo Colleoni (Active in Venice in the second half of the 19th century) - Interior scene with masked figures.

110 x 160 cm (unframed) - 145 x 194 cm (framed).

Oil on canvas, in a gilded wooden frame.

Signed lower left: "V. Colleoni".

Vincenzo Colleoni was a Venetian painter active in the second half of the nineteenth century, associated with the Realist movement. Realism developed in opposition to Romanticism and Neoclassicism, aiming to depict everyday life and reality with a more objective and less idealized approach. Little documentary evidence has survived on Colleoni, and he remains among those artists who still await more thorough critical study. What is known is that he exhibited at the National Exhibition in Parma in 1870 with the painting Il cane importuno ("The Troublesome Dog"), and in Naples in 1877 he presented five works: Visita allo studio d'un pittore ("Visit to a Painter's Studio"), Infilatrice di perle ("Pearl Stringer"), I saltimbanchi ("The Acrobats"), Un raggio di sole dopo la pioggia ("A Ray of Sunshine after the Rain"), and Contentezze infantili ("Childhood Joys"). In this painting, signed in red by the artist, a lively interior scene unfolds: two women at the centre are pushing back a crowd of masked figures, who press forward with evident curiosity to catch a glimpse of the swaddled infant in the left corner of the canvas. In the shadow to the left, a nurse also turns away a figure in a hat. The costumes suggest a fashionable social gathering, while the laughter and insistent curiosity of those present invite speculation about a scandal surrounding the birth of this child.

Condition report: Original canvas. Good condition of the painted surface.

- All shipments to the EU are free and professionally packaged. - This item is sold with a certificate of authenticity with legal validity. - Further details on the condition report are available upon request.   - Viezzi Arte guarantees quality and professionalism at competitive prices, contact us on info@viezziarte.it or via What’sApp at +39 3402841279.   * Message addressed to non-Italian buyers: Please keep in mind that this work has not yet obtained the certificate of free export from Italy from the Superintendence of Cultural Heritage. This document certifies that the work is not part of the Italian cultural heritage. Normally the times for issuing certificates are 40 days from the date of the appointment: The new legislation in force from 2021 provides for shorter times at the discretion of the expert commission for declared amounts of less than € 13,500. All costs of this operation are included.
12 000 €
credit

Period: 19th century

Style: Napoleon 3rd

Condition: Condition of use

Material: Oil painting

Length: 160

Height: 110

Reference (ID): 1723747

Availability: In stock

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Località Levata 2
Varmo (UD) 33030, Italy

+393402841279

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Viezzi Arte
Vincenzo Colleoni (active In Venice In The Second Half Of The 19th Century) - Interior Scene.
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+393402841279



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