THIS OBJECT WAS SOLD

Reconciliation "bethune" Exhaust Clemence 1780

Sold
Reconciliation "bethune" Exhaust Clemence 1780
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-2
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-3
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-4
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-1
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-2
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-3
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-4
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-5
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-6
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-7
Sold
Reconciliation "bethune" Exhaust Clemence 1780-photo-8
More pictures
Dating from the Louis XVI period around 1780, this rare and spectacular historical clock in mercury-gilt bronze and white marble is remarkably authentic and preserved in exceptional condition. Its authenticity is fully established: the clockmaker's name, listed in Tardy's catalogue, clearly attests to the creation of this precise model. The mechanism, of great horological interest, is further equipped with a particularly rare escapement known as the Chevalier de Béthune escapement. This major 18th-century mechanical innovation reflects a broader horological quest to reduce friction, improve isochronism, and increase the precision of timepieces. The Chevalier de Béthune was an 18th-century French clockmaker renowned for his watches and clocks of exceptional mechanical and aesthetic refinement, which are highly sought after by collectors and institutions today.

This scene depicts one of the most pivotal episodes in French political history: the reconciliation between Henry IV and Charles of Lorraine, Duke of Mayenne, sealing the end of the Wars of Religion and ushering in lasting civil peace under the Bourbon dynasty.

The scene, remarkable for its narrative power, presents the two protagonists in a composition that is both theatrical and deeply symbolic. Henry IV, shown standing, dressed as a military gentleman of the late 16th and early 17th centuries, wears the emblematic costume of his era: a doublet with puffed sleeves, a finely chiseled ruff, high boots, and a plumed hat. His demeanor is calm, confident, almost benevolent. With his arm outstretched in a gesture of appeasement, he embodies the magnanimous sovereign, victorious yet merciful, offering peace to his former adversary. Facing him, the Duke of Mayenne is depicted kneeling in a posture of solemn submission. Kneeling, his torso inclined, one arm raised towards the king, he expresses both the surrender of arms, the recognition of royal authority, and the acceptance of a new political order. The exquisitely rendered face conveys the gravity of the moment and the moral significance of this historic act. The contrast in postures—one standing, the other kneeling—structures the entire interpretation of the work and reinforces its symbolic power.

In the background, a vigorous tree, likely an oak, rises and envelops the scene with its abundant foliage. A tree of strength and longevity, it symbolizes the rebirth of the nation, the restored solidity of the state, and the enduring establishment of peace. The finely chiseled and richly gilded leaves offer a luminous contrast to the dial and bring vertical balance to the composition.

Large domed white enamel dial highlighted by a beaded bezel housing a domed crystal.

The clock rests on a white marble architectural base, punctuated by gilt bronze bas-reliefs depicting military trophies and allegorical motifs. These ornaments underscore the transition between war and concord, while lending the clock a monumental presence and great decorative elegance.

Original mechanism, unaltered. Wire suspension. Strikes the hours and half-hours on an antique bell.


ORDERING AND ADDITIONAL INFORMATION FROM OUR WEBSITE

Explore similar pieces and discover your ideal find:

Mantel Clocks

Gilt Bronze Clock “woman With Jewels” From The Restoration Period
Large Portico Pendulum With Sphinxes, Empire Period Around 1805 In White Marble And Gilded Bronze
Art Deco Period Lamp Pendulum
Empire Period Patinated And Fire-gilded Bronze Portico Clock, "cupid The Blacksmith"
Empire Clock "arts & Sciences"
Ceramic Clock And Wildlife Cherubins

SIGN UP TO OUR NEWSLETTER

facebook
instagram

Clock Prestige
Ceramic Clock And Wildlife Cherubins
38794-1.jpg

06-86-90-03-27



*We will send you a confirmation email from info@proantic.com .
Please check your messages, including the spam folder.