In 1980, after Pierre Digan's departure, Janet Stedman moved with Dominique Garet into a former barn, where she developed her own production, often characterized by blue glazes. Her work has been highlighted in exhibitions, such as "The Blues of Janet Stedman" in Paris in 1981, and she also pioneered the use of brightly colored industrial dyes, opening new avenues for stoneware.
Janet Stedman is now considered an emblematic figure of the stoneware revival in La Borne. Her studio and legacy are preserved and celebrated, notably at the Totem de La Borne, a museum and cultural space dedicated to her work and that of Pierre Digan, where her collections and her influence on local ceramics are exhibited.
Her commitment as a trainer and her dynamism within the pottery community of La Borne have also left their mark, making her a key artist in the history of La Borne.