The object is attributable to the 17th century, a period during which many communities in the South Pacific still maintained completely autonomous religious and social structures.
The absence of naturalism, the choice of a dense rock with sacred connotations, and the symbolic simplicity of the representation indicate a ritual or totemic function. It could be a protective effigy or a figure linked to an ancestor cult. The work reflects an independent tribal art, rooted in a pre-European visual memory, without yet adopting the influences of the Western world. The sculpture is carefully carved, probably using locally introduced metal tools but according to indigenous iconographic codes.