THIS OBJECT WAS SOLD
Fernandez Arman (nice, 1928- New York, 2005. "violin". Lithograph. Gold Leaf.
Gold leaf in its original plexiglass (wear from use), signed and numbered 64/70.
Dimensions of the lithograph: 35 x 26 cm.
The lithograph has not been unframed from the plexiglass, small traces of dust on the sides of the lithograph. The photographs were taken with the frame, hence some inaccuracies.
Fernandez Arman (Nice, 1928- New York, 2005)
He studied at the Ecole Nationale des Arts Décoratifs and the Louvre. World-renowned painter and sculptor, known for his accumulations. In October 1960, he held the exhibition "Le Plein" where he filled Iris Clert's gallery with discarded objects and the contents of selected trash cans. This exhibition was the counterpoint to the exhibition "Le Vide" organized two years earlier at the same gallery by his friend Yves Klein. Also in the same month, under the leadership of art critic Pierre Restany, Arman became, with Yves Klein, one of the founding members of the group of New Realists (proclaimed by Restany: "new perceptive approaches to reality"), alongside François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé, joined later by César, Mimmo Rotella, Niki de Saint Phalle, Gerard Deschamps and, in 1963, Christo. Works in many museums.
Dimensions of the lithograph: 35 x 26 cm.
The lithograph has not been unframed from the plexiglass, small traces of dust on the sides of the lithograph. The photographs were taken with the frame, hence some inaccuracies.
Fernandez Arman (Nice, 1928- New York, 2005)
He studied at the Ecole Nationale des Arts Décoratifs and the Louvre. World-renowned painter and sculptor, known for his accumulations. In October 1960, he held the exhibition "Le Plein" where he filled Iris Clert's gallery with discarded objects and the contents of selected trash cans. This exhibition was the counterpoint to the exhibition "Le Vide" organized two years earlier at the same gallery by his friend Yves Klein. Also in the same month, under the leadership of art critic Pierre Restany, Arman became, with Yves Klein, one of the founding members of the group of New Realists (proclaimed by Restany: "new perceptive approaches to reality"), alongside François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé, joined later by César, Mimmo Rotella, Niki de Saint Phalle, Gerard Deschamps and, in 1963, Christo. Works in many museums.
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