Beautiful sanguine drawing. Likely from the 16th or 17th century. Still very fresh, though unfortunately with some imperfections due to paper insect damage. Presented in a more recent frame.
An engraving after Stradant, engraved by Gall, depicting the honey harvest, a contemporary print. The subject is well-handled, and it's a very precise document of the beekeeping profession at that tim[...]
Johann Grüninger (c. 1455-c. 1532) Engraving from a book. Partially mounted on cardboard. Good condition. 18 x 15 cm. Shipped via Colissimo with signature confirmation. Carefully packaged. Unless othe[...]
Botanical engravings, two engravings, 16th century. Slight stains on one engraving. Image size: 13.5 x 7 cm. Shipped via Colissimo with signature confirmation. Carefully packaged. Unless otherwise sta[...]
Attributed to Battista Franco, il Simolei 1498 - 1561. The Triumph of Hannibal. Brown ink pen on laid paper. Provenance: - Former Richardson Sr collection, Lugt2183, stamp lower right. - Belgian priva[...]
This impressive Last Judgment is made up of a print in nine assembled paper plates. Assembly of very beautiful proofs bearing the inscription "JOHANNES COUSIN SENONIENCIS INVENIT ET PINXIT, PETRUS DE [...]
Northern School, circa 1600. Balthasar's Feast, probably after Jan Muler. Black ink pen, gray wash & white highlights on brown paper, lined. A black ink border surrounds the drawing. 32.7 x 48.3 cm.
Between the end of the 16th century and the beginning of the 17th century, all these cycles were produced in Antwerp by the workshop of Philips Galle. The process generally proceeded as follows: Maart[...]
We present this interesting round drawing from our personal collections. We believe it is from the 16th century. It is animated by figures (4) with architecture and rocky landscape in the background. [...]
Drawing by Girolami da Carpi (1501-1556), 15.5 cm x 8.5 cm. Assembly of Roman soldiers. Pen, brown ink and indigo wash. Very good condition. Provenance: former pseudo Crozat collection, as shown by hi[...]
Hello everyone, Extremely rare large engraving, The Triumph of Maximilian, eighty-second plate, three mounted banner bearers with the arms of different regions, circa 1570/1580. The triumphal march of[...]
After Enea Vico (1523-1567)Publisher: LAFRERI ANTONIO OR LAFRERY ANTOINE (CA.1512-1577)From a series of models of antique candlesticks, probably made by an anonymous artist who published his models th[...]
After Enea Vico (1523-1567) From a series of models of antique candlesticks, probably made by an anonymous artist who published his models through Antonio Salamanca (1552), then Lafreri (around 1573).[...]
Italian school of the XVIth. Project for architectural ornament. Brown ink pen on laid paper. An unidentified collector's stamp in red ink, Lugt3068. Fair condition. 13.8 x 20.9 cm.
CAMBIASO Luca (Genoa 1527-1585) attributed to A musician angel Pen, brown ink 27.5 x 18.5 cm Annotated / "Luca Cangiagi, Collec Comit Xav Marchese 1815" Mounted in full on an old mount Luca Cambiaso's[...]
Saint George and the Samaritan Woman, study of two figures, pen and brown ink on paper and grey watercolour, painter of the Rudolphine school of the 16th century, size 26.8x18.6 cm; at the bottom coll[...]
Adoration of the Shepherds. Engraved in 1599 by Jan Sadeler after Jacopo Bassano. Size 26.5 x 20.5 cm without frame. Ref. Hollstein: Dutch and Flemish engravings around 1450-1700.
"Entry of Charles V and his eldest son Philip (future Philip II of Spain) in June 1549 in Brussels"
NORTHERN SCHOOL 16TH CENTURY
Pen and grey wash drawing.
Provenance: Formerly annotated on t[...]
PHILIPPE GALLE (Haarlem 1537- Antwerp 1612) after VENTURA SALIMBENI (Siena, 1568-1613)
Madonna del Latte
1588
Engraving on laid paper
16 x 12 cm
Hole at bottom left
Lower margin cut
The Temptation of Christ
Beautiful print in old colors with the text on the back, slight uniform yellowing, four small holes.
Reference: Nagler 1858-79
The engraving refers to the Gospel and more[...]
"Portrait of the artist's mother"
ZUCCARO Frédérico (1542-1609).
Drawing in black chalk and red pencil.
Provenance: Former Mathias Polakovits Collection, its stamp (Lugt 3561).
The attributi[...]
"Diane and Callisto"
ITALIAN SCHOOL 16TH CENTURY FLORENCE.
Pen and brown wash drawing, light stitching.
Gilded wooden frame from the 19th century.
Dimensions: H 24.2 x W 21.2 cm.
www.ga[...]
"The Holy Family"
ITALIAN SCHOOL LATE 16TH CENTURY.
Pen and brown wash drawing, trace of red chalk.
Dimensions: H 22.5 x W 16 cm.
www.galerie-mazarini.fr
"Two prophets"
ITALIAN SCHOOL, FLORENCE 16TH CENTURY
Drawing in pen and brown wash.
Provenance: Former Ovide Léon Scribe (1814-1909) collection, its stamp (Lugt 3633).
Dimensions: H 39.5 x[...]
"The Brazen Serpent after the Sistine Chapel by Michelangelo"
ITALIAN SCHOOL 16TH CENTURY.
Pen drawing.
Paper cut and reassembled on a rectangular sheet.
Provenance: Former William Russell C[...]
Antique print by Cornelis Cort (Horn 1533 - Rome 1578)
applied on poplar board and painted in oil.
The artist, of the Flemish school
he spent the last 12 years of his life in Italy,
period in whic[...]
"Christ carrying the Cross"
TEMPESTA Antonio (1555-1630).
Pen and brown wash drawing.
Paper gaps.
Gilded wooden frame, vintage from early 19th century.
Dimensions: H 16.7 x W 22.5 cm.
[...]
The hagiography of St. Anthony Abbot proposes the theme of the demonic temptations he suffered. In this case, the devil affably accompanies the hermit, leaving unspoken the sequel that will see th[...]
"The Tree of Jesse"
FRENCH SCHOOL EARLY 16TH CENTURY.
Illumination on parchment.
Gouache and gold paint.
Dimensions: H 21 x L 12.7 cm.
www.galerie-mazarini.fr
"Saint John"
FRENCH SCHOOL CIRCA 1550.
2 Illuminations from a Book of Hours.
Gouache and gold paint on vellum.
Dimensions: H 20.7 x W 14.7 cm.
www.galerie-mazarini.fr
"The Triumph of Silenus"
ITALIAN SCHOOL 16TH CENTURY.
Pen and brown wash drawing.
Small accident on the paper, cut corners.
Dimensions: H 28.5 x W 20.5 cm.
www.galerie-mazarini.fr
"The archer"
ITALIAN SCHOOL 16TH CENTURY.
Pen and ink drawing, annotated: "Palma".
Provenance: Former Joshua Reynolds collection (1723-1792), its stamp (Lugt 2364).
Dimensions: H 26.7 cm x W[...]
JACOPO CARAGLIO (c.1500-1565) after ROSSO FIORENTINO (1494-1550)
Hercules and Cacus from the series The Labours of Hercules
Circa 1550
Burin
21 x 18 cm
Last state of the original copper-plate w[...]
"Portrait of a woman"
FRENCH SCHOOL 16TH CENTURY
Drawing in black chalk and red pencil.
Missing lower right corner. Bites.
Dimensions: H 27.5 x W 17.5 cm.
www.galerie-mazarini.fr
Or Views of Sibenik, Porec (in Croatia) and Modon (in Greece)
Proof in old colors, usual median fold, text in Latin on the back.
Good proof, light uniform dusting, small pinholes visible mainly tran[...]
MOTHER OF CONSOLATION CRETE 16TH CENTURY CIRCLE OF NIKOLAOS TZAFOURIS OIL PAINTING ON A GOLD BACKGROUNDWALNUT WOOD PANELMEASURES EXCEPT THE COEVA FRAME 31 X 25
"Horsemen"
TEMPESTA Antonio (1555-1630).
Drawing in pen and brown wash, lack on paper.
Gilded wooden frame, from the 19th century.
Dimensions: H 8.3 x W 21.4 cm.
Our drawing corresponds[...]
"Trophies"
ITALIAN SCHOOL LATE 16TH CENTURY
Pen and brown wash drawing.
Bears an inscription on the mounting: "Polidoro Caldara detto da Caravaggio / Lombard School 1495-1543".
Provenance: A[...]
Print of the suite: Christ and the Apostles
(H.240 to 253)
1594
Reference: Hollstein n°248
Good impression cut at the copper limit and mounted on a page from an old album.
Gravure signée Jan Muller* représentant la scène biblique de Caïn tuant son frère Abel, juste avant qu'il ne le frappe ; en arrière-plan Caïn s'éloigne, chassé du Jardin d'Eden, d'après une composit[...]
After Hendrck Goltzius, around 1600.
The Hunchback.
Pen and brown ink & gray wash on watermarked laid paper - coat of arms with a unicorn.
The ink has damaged the paper in places - see photo [...]
Saint Andrew
Reference: Nagler 1858-79 III.896
The typographic text on the prints identifies it as an illustration for one of Geiler's 'Predigt' books, most likely the "Brösamlein von des hochge[...]
Beautiful proof of the suite of: Mascarons after Giulio Romano (B.108-127)
Bartsch: 124
Copper width: 88.00
Copper height: 111.00
Leaf width: 150.00
Leaf height: 210.00
Reference: Nagler 1858-79 III.896
The typographical text on the prints identifies it as an illustration for one of Geiler's 'Predigt' books, most likely the "Brösamlein von des hochgelerten Keiserp[...]
Reference: Nagler 1858-79 III.896
The typographical text on the prints identifies it as an illustration for one of Geiler's 'Predigt' books, most likely the "Brösamlein von des hochgelerten Keiserp[...]
Plate from the suite: The Fable of Psyche after Raphaël
After to the version by Bernardo Daddi (cf. Bartsch XV.223.69)
Early 17th century print
Copper width: 215.00
Copper height: 195.00
Sheet [...]
According to Aldegrever: the story of the good Samaritan (cf. Bartsch: 40 to 43)
Stamp on the back of the LKB collection (Leroy Kirwin Burket (1920-2003) artist, teacher of Fine Arts in the United St[...]
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