12th-century Stone Capital Depicting A Cocatrix
This is a rarefragment of a French Romanesque sculpture depicting a cocatrix, a mythical hybrid creature from the symbolic imagination of the Middle Ages and featured in medieval bestiaries.
Cocatrixes are bipedal dragons or serpents with rooster heads, first mentionedin the Bible as a venomous, fiery serpent. Similar to the Greek basilisk, some believe it isthe same cryptid, save for the name. The basilisk, like the cocatrix,could kill with a single glance, a touch, or even a breath. The weasel was the only animal apparently immune to it, and the only way to kill it was toforce it to gaze at its own reflection. Placing the cocatrix onreligious or civil buildings gives it an apotropaic function: it does notglorify evil, but represents it in order to ward it off.
Its sculpted presence serves as a warning, a symbolic boundary betweenthe secular world and the sacred space, reminding the faithful of the dark forces that lurk outside the divine order. The stone used is alocal sedimentary rock, likely coarse limestone or sandstone, a materialcommonly used in rural Romanesque statuary in the Massif Central. The surface shows signs of ancient and uniform erosion, indicating prolonged exposure prolonged exposure to the elements. The base is truncated, indicating prior removal,which suggests that this sculpture was originally anarchitectural element: a corbel, a fragment of a capital, or a secondary element of a cornice or portal.
Condition: “as is”—original breaks and missing pieces,historical erosion consistent with the piece’s age and exposure to the elements, no visiblemodern restoration.
Height: 25 cm
Cocatrixes are bipedal dragons or serpents with rooster heads, first mentionedin the Bible as a venomous, fiery serpent. Similar to the Greek basilisk, some believe it isthe same cryptid, save for the name. The basilisk, like the cocatrix,could kill with a single glance, a touch, or even a breath. The weasel was the only animal apparently immune to it, and the only way to kill it was toforce it to gaze at its own reflection. Placing the cocatrix onreligious or civil buildings gives it an apotropaic function: it does notglorify evil, but represents it in order to ward it off.
Its sculpted presence serves as a warning, a symbolic boundary betweenthe secular world and the sacred space, reminding the faithful of the dark forces that lurk outside the divine order. The stone used is alocal sedimentary rock, likely coarse limestone or sandstone, a materialcommonly used in rural Romanesque statuary in the Massif Central. The surface shows signs of ancient and uniform erosion, indicating prolonged exposure prolonged exposure to the elements. The base is truncated, indicating prior removal,which suggests that this sculpture was originally anarchitectural element: a corbel, a fragment of a capital, or a secondary element of a cornice or portal.
Condition: “as is”—original breaks and missing pieces,historical erosion consistent with the piece’s age and exposure to the elements, no visiblemodern restoration.
Height: 25 cm
650 €
Period: Before 16th century
Style: Renaissance, Louis 13th
Condition: Good condition
Material: Stone
Height: 25 c.m.
Reference (ID): 1824677
Availability: In stock
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