Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.
Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.-photo-2
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Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.-photo-4
Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.-photo-1
Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.-photo-2
Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.-photo-3

Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.

Artist: Jacopo Amigoni (venise 1682 - Madrid 1752)

Jacopo Amigoni (Venice 1682 - Madrid 1752) - Madonna with Child and Young Saint John.

82 x 62 cm without frame, 104.5 x 86.5 cm with frame.

Oil on canvas, in a carved and gilded wood frame.

Expert opinions: Prof. Dario Succi, Gorizia (critical essay attached).

Jacopo Amigoni is one of the leading figures of European Rococo, a pupil of Antonio Bellucci and a prominent name in early 18th-century Venetian painting, who worked successfully at the major courts of the continent, Bavaria, England, Spain, before settling permanently in Madrid, where he died in 1752. The Madonna with Child was one of his most characteristic sacred subjects, treated with a chromatic sensibility and painterly touch that grew increasingly refined over the course of his career.

The composition depicts the Virgin with her gaze turned toward heaven, cradling the sleeping Child in her arms. Beside her, the young Saint John — identifiable by the slender reed cross and the delicate gilded halo — contemplates the scene with hands joined in prayer. The fluid brushwork, the delicate chromatic treatment of the Virgin's almost adolescent face, the contrast between the cobalt mantle and the red dress, and the soft plastic rendering of the infant all point with certainty to the artist's mature period, datable to around the early 1740s, following his return to Venice from England. The comparison with the Madonna with Child and Young Saint John in the Terruzzi collection and with the altarpiece of the Visitation in the Venetian church of Santa Maria della Consolazione, known as the Fava (documented 1743), supports this dating, as noted by Dario Succi in the attached critical essay.

Condition report: Original canvas with perimeter reinforcement strips. Good state of conservation of the pictorial surface.


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Notice to non-Italian buyers: This artwork has not yet obtained the certificate of free export from Italy, issued by the Superintendence of Cultural Heritage, which certifies that the artwork does not belong to Italy’s cultural heritage and may therefore be freely exported. The regulations in effect starting in 2026 provide for shorter processing times for works with a declared value of less than €50,000, determined at the discretion of the expert commission: on average, 2–3 weeks from the submission of the request. All costs related to this procedure are included in the price.

Disclaimer: Renderings: The environmental images are AI-generated for illustrative purposes and may not reflect the actual proportions of the artwork.

12 000 €
credit

Period: 18th century

Style: Louis 15th - Transition

Condition: Condition of use

Material: Oil painting

Length: 62

Height: 82

Reference (ID): 1787813

Availability: In stock

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Località Levata 2
Varmo (UD) 33030, Italy

+393402841279

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Viezzi Arte
Jacopo Amigoni (venice 1682 - Madrid 1752) - Madonna With Child And Young Saint John.
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+393402841279



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