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Circle Of Domenico Ubaldini, Known As "il Puligo" (florence 1492–1527) — Jesus And Simon Of Cyrene.

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Circle Of Domenico Ubaldini, Known As "il Puligo" (florence 1492–1527) — Jesus And Simon Of Cyrene.
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Circle Of Domenico Ubaldini, Known As "il Puligo" (florence 1492–1527) — Jesus And Simon Of Cyrene.-photo-2
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Circle Of Domenico Ubaldini, Known As "il Puligo" (florence 1492–1527) — Jesus And Simon Of Cyrene.-photo-3
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Circle Of Domenico Ubaldini, Known As "il Puligo" (florence 1492–1527) — Jesus And Simon Of Cyrene.-photo-4
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Circle Of Domenico Ubaldini, Known As "il Puligo" (florence 1492–1527) — Jesus And Simon Of Cyrene.-photo-1
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Circle Of Domenico Ubaldini, Known As "il Puligo" (florence 1492–1527) — Jesus And Simon Of Cyrene.-photo-2
Sold
Circle Of Domenico Ubaldini, Known As "il Puligo" (florence 1492–1527) — Jesus And Simon Of Cyrene.-photo-3
More pictures

Circle of Domenico Ubaldini known as il Puligo (Florence 1492 - 1527) - Christ Carrying the Cross with Simon of Cyrene.

56 x 44 cm (without frame) - 65 x 55 cm (with frame).

Oil on panel, in antique wood frame.

The painting depicts Christ carrying the cross, accompanied on the right by Simon of Cyrene supporting its weight. The two figures emerge from a dark background, following a compositional type widespread in Florentine painting of the early 16th century. Christ's face, slightly inclined, conveys a quiet melancholy; the garment, in tones of crimson shading into rose pink, is rendered with a softness of brushwork that reveals a refined and sensitive hand. The label on the reverse reads: «Domenico Ubaldini detto "il Puligo" - 1492 - Firenze - 1527. Allievo di Domenico del Ghirlandaio, fu collaboratore del figlio di questi, Ridolfo, e principalmente di Andrea del Sarto. Si distingue da tutti i suoi contemporanei per la bellezza del colorito e la dolcezza delle sfumature e dei contorni che addolcivano il disegno dei contorni stessi. Data la sua breve vita, le sue opere sono rare e si trovano quasi esclusivamente nei Musei. "Gesù e il Cireneo" - Olio su tavola.» These stylistic qualities, together with the indication of the label, support the attribution to the closest circle of this Florentine master.

Condition report: The painting is presented in an antique frame dating to the 16th-17th century. Original panel. Traces of old restorations, ancient woodworm damage and wood movement.


  • All shipments within the EU are free and professionally packaged.
  • This item is sold with a legally valid certificate of authenticity.
  • Further details regarding the condition report are available upon request.
  • Viezzi Arte guarantees quality and professionalism at competitive prices; contact us at info@viezziarte.it or via WhatsApp at +39 3402841279.

Notice to non-Italian buyers: This artwork has not yet obtained the certificate of free export from Italy, issued by the Superintendence of Cultural Heritage, which certifies that the artwork does not belong to Italy’s cultural heritage and may therefore be freely exported. The regulations in effect starting in 2026 provide for shorter processing times for works with a declared value of less than €50,000, determined at the discretion of the expert commission: on average, 2–3 weeks from the submission of the request. All costs related to this procedure are included in the price.

Disclaimer: Renderings: The setting images are AI-generated for illustrative purposes and may not reflect the actual proportions of the artwork.

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The Adoration Of The Magi, Jan Van Der Straet, Said Giovanni Stradano (bruges 1523 - 1605)
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