Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-2
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-3
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-4
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-1
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-2
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-3
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-4
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-5
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-6
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-7
Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4-photo-8

Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4

Artist: D’après Pietro Balestra

Cortège Bacchique aux Putti, Terre Cuite Patinée, after Pietro Balestra, Numbered 1396-4

In a composition of theatrical vitality, this cortège bacchique aux putti, after Pietro Balestra, embodies the jubilant, sensual spirit of the mythological repertoire. Modeled in patinated terra cotta, the scene reveals an exceptional mastery of movement: the three putti, united in a round of abundance, raise bunches and garlands in an almost choreographic élan.

The richly animated surface bears witness to refined workshop work, underlined by the signature on the terrace and the antique numbering "1396", completed by a "4": precious markers for discerning collectors. It reveals the stylistic heritage of Balestra, a sculptor active between Venice and Dresden, renowned for his dynamic compositions, expressive putti and marked taste for allegorical and bacchic subjects. His highly sought-after works are characterized by lively modeling and a late-Baroque elegance that would have a lasting influence on European workshops.

The work rests on a patinated circular base, designed as a fluted half-column enhanced by a frieze of pearls, giving the whole a noble verticality and sculptural presence worthy of the most demanding interiors.

At 52 cm high, this piece imposes a stature rare for a late XIXᵉ century terracotta.

It stands out for its exceptional state of preservation, with no restoration or missing parts, a remarkable quality for such a detailed subject.

Features

  • Artist: after Pietro Balestra
  • Subject: Bacchic procession with putti
  • Era: late XIXᵉ century
  • Technique: patinated terra cotta
  • Signature: on the terrace
  • Numbering: 1396 and 4
  • Socle: fluted half-column, frieze of pearls
  • Dimensions: Height. 52 cm, Width 30 cm
  • Condition : perfect condition, exceptional conservation
  • Weight : 5 Kg
980 €
credit

Period: 19th century

Style: Napoleon 3rd

Condition: Perfect condition

Material: Terracotta

Width: 30

Height: 52

Reference (ID): 1773895

Availability: In stock

Print

Terranjou 49380, France

0664587869

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Cortège Bacchique Aux Putti, Sculpture Terre Cuite Patinée, After Balestra, Numbered 1396-4
1773895-main-6a25475c5c60d.jpg

0664587869



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