Louis Nattero (1870-1915) Le Mole Vieux In The Port Of Cassis
Artist: Louis Nattero (1870-1915)
A leading expert on seascapes around Marseille, Louis Nattero offers us here a beautiful depiction of a bygone era: the tranquil and picturesque port of Cassis in the 19th century.
The light is lovely, and the calm and peacefulness of the port is enlivened by two fishermen working at the end of the Old Pier, one in his boat and the other on the quay.
On the other side of the pier, a brig is moored, undoubtedly awaiting cargo. Beside it, a dredging barge, more commonly known as a "Marie-Salope," is visible, its funnel emitting a wisp of smoke.
To the far right stands the Villa Paternelle, overlooking the entrance to the Port of Cassis and the old cod-drying shed.
The work, in very good condition, is presented in a beautiful carved gilt frame in the Barbizon style, measuring 47 cm by 69 cm, while the canvas itself measures 33 cm by 55 cm.
A restful and anecdotal portrait of a sensitive and gifted artist who died too young.
LouisAlexandre Marie Nattero was born on October 16, 1870 in Marseille, 1 rue duPharo, from the second marriage of Dominique Nattero to Jeanne Joussaume.Hisparents quickly separated in 1872 and, in 1880, Louis was placed in anorphanage.Passionate about drawing, he created his first works around the age of 11:portraits that he managed to sell in order to survive.After an unhappy childhood, he turned to painting.In 1891, in Toulon, he married Lucie Durbec with whom he had nine children. Hisson, Joseph Nattero, born in Marseille in 1904, followed in his father'sfootsteps and painted throughout his life.At the age of 26, from October 1896 to April 1897, thanks to a scholarship fromthe city of Toulon, he attended the École nationale supérieure des beaux-artsin Paris for a few months, where he was a student of Léon Bonnat.However, he suffered from lead poisoning and had to, with regret, stop hisstudies in Paris.He then returned to Toulon, then settled permanently in Marseille, hishometown, in 1904. He also stayed in Aix-en-Provence.His talent was quickly recognized and his paintings were very successful from1905. He participated in most of the salons in the Marseille and Toulon regionand worked tirelessly to feed his large family.In Toulon, he exhibited, among others, at the framer Lacqua (31 rue d'Alger)and at the Albano gallery (rue des Trois Dauphins). In 1902, he was present atthe Friends of the Arts exhibition in Toulon and won several prizes.In Marseille, his workshop is located on Boulevard de la Corderie and his worksregularly appear at the Vallet gallery, rue Paradis. He exhibited at theStudent Association show and at the Grand Cercle Républicain in 1905.In 1914, war broke out and three of his sons left for the front. His paintingno longer sells. A deep despair overcomes him.On November 10, 1915, at his home, 42 bd Joachim in Marseille, he ended hislife by shooting himself in front of his son Joseph.After a ceremony at the Bonneveine church, he was buried in the common grave atthe Mazargues cemetery. The day after his death, the Petit Marseillais launcheda collection to help his widow and children. In the Pointe Rouge district, theMarseille town hall gives its name to a roundabout.In 2004, the Musée du Vieux Toulon organized an exhibition: “Louis Nattero(1870-1915) – Victor Senchet (1879-1973), painters”.The seaFishing boatsLouis Nattero is above all a painter of the Mediterranean.It is for him the true subject of expression when he paints the poetry of atwilight, the sleeping waves of the coves, the fishermen hauling in their netsin an almost hushed calm. He is not the painter of tumult.In his work, the characters are rare, often distant: a sailor drinking from thefeast, a boat on the horizon, fishermen mending their nets, walkers on a quay.Like a photographer, he captures his subjects in everyday life and interpretsthem freely.Largely influenced by the Impressionists, Nattero makes light the essentialelement of his painting.“The vibrant note is in fact the goal that Nattero wants to achieve: for this,he is not afraid to sacrifice the precise line. It admirably gives theimpression of a teeming crowd on our sunny quays, in our picturesque oldstreets by skillfully applied impasto.”—Marseille Student, May 1905He knows perfectly the secret of pure colors and it is with precision that heplaces a touch of red on the cap of a fisherman or a touch of white on therebound of a wave. His palette evolves in shades of blue, mauve, pink, pearlynuances, warm ocher at dusk; the crashing waves changing from metallic emeraldto the lightest, milkiest green ash.He forgets the black.Works La Patache in the port of Toulon, oil on canvas, 46 ×61 cm, 1902-1905, Toulon Art Museum.
The light is lovely, and the calm and peacefulness of the port is enlivened by two fishermen working at the end of the Old Pier, one in his boat and the other on the quay.
On the other side of the pier, a brig is moored, undoubtedly awaiting cargo. Beside it, a dredging barge, more commonly known as a "Marie-Salope," is visible, its funnel emitting a wisp of smoke.
To the far right stands the Villa Paternelle, overlooking the entrance to the Port of Cassis and the old cod-drying shed.
The work, in very good condition, is presented in a beautiful carved gilt frame in the Barbizon style, measuring 47 cm by 69 cm, while the canvas itself measures 33 cm by 55 cm.
A restful and anecdotal portrait of a sensitive and gifted artist who died too young.
LouisAlexandre Marie Nattero was born on October 16, 1870 in Marseille, 1 rue duPharo, from the second marriage of Dominique Nattero to Jeanne Joussaume.Hisparents quickly separated in 1872 and, in 1880, Louis was placed in anorphanage.Passionate about drawing, he created his first works around the age of 11:portraits that he managed to sell in order to survive.After an unhappy childhood, he turned to painting.In 1891, in Toulon, he married Lucie Durbec with whom he had nine children. Hisson, Joseph Nattero, born in Marseille in 1904, followed in his father'sfootsteps and painted throughout his life.At the age of 26, from October 1896 to April 1897, thanks to a scholarship fromthe city of Toulon, he attended the École nationale supérieure des beaux-artsin Paris for a few months, where he was a student of Léon Bonnat.However, he suffered from lead poisoning and had to, with regret, stop hisstudies in Paris.He then returned to Toulon, then settled permanently in Marseille, hishometown, in 1904. He also stayed in Aix-en-Provence.His talent was quickly recognized and his paintings were very successful from1905. He participated in most of the salons in the Marseille and Toulon regionand worked tirelessly to feed his large family.In Toulon, he exhibited, among others, at the framer Lacqua (31 rue d'Alger)and at the Albano gallery (rue des Trois Dauphins). In 1902, he was present atthe Friends of the Arts exhibition in Toulon and won several prizes.In Marseille, his workshop is located on Boulevard de la Corderie and his worksregularly appear at the Vallet gallery, rue Paradis. He exhibited at theStudent Association show and at the Grand Cercle Républicain in 1905.In 1914, war broke out and three of his sons left for the front. His paintingno longer sells. A deep despair overcomes him.On November 10, 1915, at his home, 42 bd Joachim in Marseille, he ended hislife by shooting himself in front of his son Joseph.After a ceremony at the Bonneveine church, he was buried in the common grave atthe Mazargues cemetery. The day after his death, the Petit Marseillais launcheda collection to help his widow and children. In the Pointe Rouge district, theMarseille town hall gives its name to a roundabout.In 2004, the Musée du Vieux Toulon organized an exhibition: “Louis Nattero(1870-1915) – Victor Senchet (1879-1973), painters”.The seaFishing boatsLouis Nattero is above all a painter of the Mediterranean.It is for him the true subject of expression when he paints the poetry of atwilight, the sleeping waves of the coves, the fishermen hauling in their netsin an almost hushed calm. He is not the painter of tumult.In his work, the characters are rare, often distant: a sailor drinking from thefeast, a boat on the horizon, fishermen mending their nets, walkers on a quay.Like a photographer, he captures his subjects in everyday life and interpretsthem freely.Largely influenced by the Impressionists, Nattero makes light the essentialelement of his painting.“The vibrant note is in fact the goal that Nattero wants to achieve: for this,he is not afraid to sacrifice the precise line. It admirably gives theimpression of a teeming crowd on our sunny quays, in our picturesque oldstreets by skillfully applied impasto.”—Marseille Student, May 1905He knows perfectly the secret of pure colors and it is with precision that heplaces a touch of red on the cap of a fisherman or a touch of white on therebound of a wave. His palette evolves in shades of blue, mauve, pink, pearlynuances, warm ocher at dusk; the crashing waves changing from metallic emeraldto the lightest, milkiest green ash.He forgets the black.Works La Patache in the port of Toulon, oil on canvas, 46 ×61 cm, 1902-1905, Toulon Art Museum.
3 800 €
Period: 19th century
Style: Other Style
Condition: Excellent condition
Material: Oil painting
Length: 55 cm
Height: 33 cm
Reference (ID): 1765750
Availability: In stock
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