Napoleon III Gilt Bronze Cup With Crystal Palace Enamel, Great Exhibition 1851

The Universal Exhibitions of the 19th century represented extraordinary showcases of industrial progress, technological innovation and the decorative arts, encouraging a new appreciation for commemorative objects celebrating the great achievements of modern architecture and engineering. Opened in London in 1851 for the first Great Exhibition, the Crystal Palace, designed by Joseph Paxton and constructed of iron and glass, became one of the most iconic symbols of the Victorian era and of industrial modernity.

During the Second Empire, such prestigious souvenirs enjoyed great popularity among an international clientele. French bronziers and luxury workshops created refined objects combining the traditional craftsmanship of finely chased and gilt bronze with enamelled miniatures depicting the celebrated monuments of the Universal Exhibitions.

Combining technical virtuosity, elaborate ornamentation and commemorative significance, these creations perfectly illustrate the eclectic taste of the Napoléon III period and remain highly sought-after today as exceptional witnesses to the fascination generated by the Universal Exhibitions and the rise of the decorative arts industry.