The sitter was portrayed in full figure, with a three-quarter view and a diagonal body, showcasing the richness of his costume and his proud, confident expression, directed toward the viewer. This portraiture style recalls that of late 17th-century classicists such as Andrea Sacchi and Carlo Maratti, and would later find repercussions in the triumphant, rococo paintings of Pompeo Batoni.
Anonymous portraitist of the Roman school, active in the Papal States during the first half of the 18th century.
The painting measures: canvas 74cm x 99cm, frame 94cm x 120cm.
The carved and gilded "Salvator Rosa" frame is contemporary with the painting and therefore from the first half of the 18th century.
The painting is in good overall condition, is on its first canvas, and is well cleaned with the vibrant pigmentation of the painted surface.
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