On a vibrant blue background, geometric shapes intertwine, crossed by black lines that structure the space like the axes of a celestial map. Small touches of burnt orange punctuate the whole like distant stars. This work to be attributed is fully in line with the aesthetic of post-war geometric abstraction, between spatial imagination and graphic writing.
It evokes, without imitating, the plastic research of Vasarely, Dmitrienko, or Seuphor. On its original canvas with some barely visible cracks