Sri Lanka (Dutch Ceylon), circa 1700–1790
Hand-carved Nadun wood (Pericopsis mooniana), inlaid eyes
Dimensions: 15 cm long × 14 cm high
Condition: Excellent with original patina, minor age wear consistent with 18th-century handling
A rare and finely carved guardian lion sculpture from Dutch Ceylon, dating to the 18th century, during the administration of the Dutch East India Company (VOC). Executed in nadun, a dense tropical hardwood native to Sri Lanka, the figure is remarkable for its robust baroque stylization, compact proportions, and inlaid eyes — a high-status feature typically reserved for elite commissions.
This lion is sculpted with powerful haunches, a spiraling mane, and a tail that arcs vertically in classic Sinhalese-VOC hybrid style. The facial expression is animated and protective, with the inlaid eyes enhancing its symbolic “watchfulness.” The body is decorated with punctuated details, and the patina across high-relief areas reveals centuries of gentle handling.
Despite its modest scale, the sculpture demonstrates an advanced degree of craftsmanship, clearly intended as a freestanding symbolic object, likely for domestic display within a colonial residence. Guardian figures of this type were understood to offer protection, prestige, and status, blending indigenous beliefs with European aesthetics.
Notable FeaturesVOC-period craftsmanship with European and Sinhalese stylistic elements
Authentic 18th-century patina, undisturbed and richly developed
Inlaid eyes, likely of bone or shell — rare and intact
Carved from nadun wood (Pericopsis mooniana), a prized cabinet wood of the era
Symbolically resonant, likely used as a domestic guardian figure, not a souvenir or toy
Related examples held in the Rijksmuseum (Amsterdam), Tropenmuseum, and National Museum of Colombo
Stylistically and materially aligned with 18th-century VOC furniture lions and altar ornamentation