This refined object of vertu exemplifies the excellence of Parisian silverwork around 1800, combining neoclassical ornament with outstanding craftsmanship.The domed lid is topped with a stylised acorn finial and bordered by a finely chased frieze of acanthus leaves on a matte background, typical of early Empire decorative vocabulary. The rim is encircled by a delicate gadroon band. The scroll-shaped thumbpiece features a central reserve adorned with a laurel wreath frieze, ending in a small flowerhead.The lid rests on a wide decorative band in pierced silverwork (repercé), highlighted with a string-of-pearls motif. This architectural belt supports three winged female figures in the antique manner, with upswept hair, a bare décolleté, and a medallion clasp at the neck—evoking the fashion of the Directoire “Merveilleuses” and the final years of the reign of LOUIS XVI.Each figure stands on a classical tapered base terminating in lion’s paw feet. At the centre, a beautifully chased rosette with radiating petals forms the inner platform supporting the cut crystal liner, decorated with vertical fluting in its lower section. The side handle is a bold volute adorned with lanceolate leaves on a matte ground, ending in a small flower motif. Marks
ABOUT THE MAKER – J.-P.-N. BIBRON
Jean-Pierre-Nicolas BIBRON, master silversmith in Paris from 1798, operated from several addresses including rue de Harlay, rue Saint-Jacques, and from 1818, rue Bourg-l’Abbé. Active under the Directoire, Empire, and Restoration, BIBRON is known for combining finely chased silver with cut crystal to produce elegant tableware.His works—mustard pots, vinaigrettes, sugar bowls, sauceboats, coffee pots—are recognisable by their classical ornamentation: female figures, palmettes, lion masks, stylised handles. His maker’s mark is documented throughout the legal standards in effect between 1798 and 1838. COMPARABLES & REFERENCES
Paris silver mustard pot with cut glass inset. Marks of Jean-Pierre-Nicolas Bibron, 1809–1819.
Estimate: €600 – Sold: €793
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