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African Tribal Art - Baoule Mask
Ex-private Belgian Mercier collection.
Imposing and old portrait mask of the Baoule of Ivory Coast. Base piece, height on base 69 cm. These idealized portrait masks of the Baoulé, called "ndoma" or "double", which pay homage to a personality, are distinguished by their contemporary manifestation at the conclusion of recreational dance ceremonies. These festivities, known by different names depending on the region, such as bedwo, ngblo, mblo, adjussu, etc., offer a unique setting. It is not uncommon for the dancer to also wear the clothes of the person being celebrated, who may even actively participate by dancing alongside them.
The tribal art collection comes from Guy Mercier, a consultant for the Solvay group, who began his collection at the beginning of the 20th century. During his work in West and Central Africa, he acquired works there. However, the bulk of his collection came from the "curiosity cabinets" that were popular in European capitals during the 1920s. Additionally, he acquired pieces from prestigious galleries in Paris, Brussels, London and New York. This collection was then entrusted to Mr. Jean Charles Mercier, the grandson of Guy Mercier.
Item accompanied by its certificate of authenticity.
PS: what does the certificate of authenticity consist of? https://www.african-arts-gallery.com/faq.aspx?qid=8
PLEASE NOTE THE PRICE OF TRANSPORT INCLUDES LOSS, THEFT, BROKENAGE INSURANCE.
Imposing and old portrait mask of the Baoule of Ivory Coast. Base piece, height on base 69 cm. These idealized portrait masks of the Baoulé, called "ndoma" or "double", which pay homage to a personality, are distinguished by their contemporary manifestation at the conclusion of recreational dance ceremonies. These festivities, known by different names depending on the region, such as bedwo, ngblo, mblo, adjussu, etc., offer a unique setting. It is not uncommon for the dancer to also wear the clothes of the person being celebrated, who may even actively participate by dancing alongside them.
The tribal art collection comes from Guy Mercier, a consultant for the Solvay group, who began his collection at the beginning of the 20th century. During his work in West and Central Africa, he acquired works there. However, the bulk of his collection came from the "curiosity cabinets" that were popular in European capitals during the 1920s. Additionally, he acquired pieces from prestigious galleries in Paris, Brussels, London and New York. This collection was then entrusted to Mr. Jean Charles Mercier, the grandson of Guy Mercier.
Item accompanied by its certificate of authenticity.
PS: what does the certificate of authenticity consist of? https://www.african-arts-gallery.com/faq.aspx?qid=8
PLEASE NOTE THE PRICE OF TRANSPORT INCLUDES LOSS, THEFT, BROKENAGE INSURANCE.
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