{"id":2893,"date":"2015-02-01T11:07:25","date_gmt":"2015-02-01T10:07:25","guid":{"rendered":"http:\/\/www.proantic.com\/magazine\/?p=2893"},"modified":"2017-12-15T11:22:59","modified_gmt":"2017-12-15T10:22:59","slug":"7-ans-reflexion-dernieres-acquisitions-du-musee-dorsay","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/7-ans-reflexion-dernieres-acquisitions-du-musee-dorsay\/","title":{"rendered":"7 ans de r\u00e9flexion Derni\u00e8res acquisitions du Mus\u00e9e D’Orsay"},"content":{"rendered":"

\u00ab Sept ans de r\u00e9flexion \u00bb est une exposition qui r\u00e9v\u00e8le au public les pi\u00e8ces majeures acquises par le mus\u00e9e d\u2019Orsay ou re\u00e7ues en don pendant ces sept derni\u00e8res ann\u00e9es sous la pr\u00e9sidence de Guy Cogeval. Une telle exposition permet au public d\u2019appr\u00e9cier le fruit des enjeux et orientations de la politique d\u2019enrichissement des collections nationales.<\/strong><\/p>\n

Gr\u00e2ce \u00e0 l\u2019excellente fr\u00e9quentation de l\u2019\u00e9tablissement, le budget annuel des acquisitions du mus\u00e9e d\u2019Orsay, abond\u00e9 par un pr\u00e9l\u00e8vement de 16 % sur le montant des droits d\u2019entr\u00e9e dans les collections permanentes, reste cons\u00e9quent. Ce budget demeure toutefois \u00e9loign\u00e9 des r\u00e9alit\u00e9s d\u2019un march\u00e9 international tr\u00e8s dynamique pour la p\u00e9riode de la peinture des collections du mus\u00e9e d\u2019Orsay (1848- 1914). Les acquisitions refl\u00e8tent donc des arbitrages coll\u00e9giaux, fondamentaux d\u00e9cid\u00e9s dans le cadre d\u2019une politique qui doit saisir judicieusement les opportunit\u00e9s du march\u00e9. Cette exposition a pour but de d\u00e9voiler aux visiteurs les \u00ab perles \u00bb qui rejoignent peu \u00e0 peu les collections nationales pour le plus grand plaisir du public.<\/p>\n

https:\/\/dailymotion.com\/video\/x2bwcqc<\/p>\n

Un floril\u00e8ge de 180 \u0153uvres parmi les plus importantes est expos\u00e9 dans les dix salles de la galerie des expositions du cinqui\u00e8me \u00e9tage et r\u00e9parti suivant des lignes directrices \u00e9vocatrices des grandes orientations des acquisitions. Ainsi, le parcours d\u00e9bute par une pr\u00e9sentation d\u2019\u0153uvres de Maurice Denis, Bonnard et Vuillard [dont deux provenant d\u2019une collection particuli\u00e8re de 141 \u0153uvres donn\u00e9e en 2011 sous r\u00e9serve d\u2019usufruit].<\/p>\n

\"Renoir<\/a>
Renoir
\u00a9 Mus\u00e9e d\u2019Orsay, dist. RMN \/ Patrice Schmidt<\/figcaption><\/figure>\n

 <\/p>\n

Ces tableaux seront pr\u00e9sent\u00e9s avec des objets d\u2019art fran\u00e7ais du d\u00e9but du XXe si\u00e8cle leur faisant \u00e9cho. Suivent une salle consacr\u00e9e aux dessins d\u2019architecture et une salle regroupant diverses expressions pluridisciplinaires des \u00e9coles allemande, autrichienne et nordique. Deux salles d\u2019art d\u00e9coratif fran\u00e7ais pr\u00e9figurent ensuite du \u00ab Retour au style \u00bb perceptible dans des \u0153uvres de Maurice Dufr\u00eane, Paul Follot et Ho\u00ebntschel, associ\u00e9es \u00e0 des objets d\u2019art, broderies textiles et peintures, dont le magistral Portrait d\u2019Yvonne Lerolle en trois aspects qui termine cette section et invite \u00e0 parcourir la grande galerie divis\u00e9e pour l\u2019occasion en trois espaces.<\/p>\n

\"Maurice<\/a>
Maurice Denis (1870-1943)<\/strong>
Portrait d\u2019Yvonne Lerolle en trois aspects, 1897<\/strong>
Huile sur toile, 170 x 110 cm, Paris, mus\u00e9e d\u2019Orsay
\u00a9 Mus\u00e9e d\u2019Orsay, dist. RMN-Grand Palais \/ Patrice Schmidt<\/figcaption><\/figure>\n

 <\/p>\n

La salle suivante met en exergue les enrichissements tr\u00e8s perceptibles de la collection d\u2019art italien du d\u00e9but du si\u00e8cle domin\u00e9s par les toiles de Boldini et de Zecchin, mises en \u00e9cho avec des meubles iconiques de grands cr\u00e9ateurs. Autour d\u2019un meuble italien d\u2019origine royale, deux salles sont consacr\u00e9es \u00e0 l\u2019art du XIXe si\u00e8cle fran\u00e7ais et anglais, rythm\u00e9es par des toiles de Tissot, Baudry, Bouguereau, Puvis de Chavannes, du mobilier de Diehl, Sauvrezy et Popelin, des sculptures de G\u00e9r\u00f4me et CarrierBelleuse, de l\u2019orf\u00e8vrerie, des photographies anglaises de Cameron, une rare tapisserie de Burne-Jones, don de Pierre Berg\u00e9, et un Saint-George de Gilbert, r\u00e9cemment acquis.<\/p>\n

\""Egalit\u00e9<\/a>
\u00ab\u00a0Egalit\u00e9 devant la mort\u00a0\u00bb d’Adolf-William Bouguereau (1848) \u00a9 Mus\u00e9e d’orsay, patrice Schmidt<\/figcaption><\/figure>\n

La galerie suivante, o\u00f9 tr\u00f4ne un pastel de Degas, est consacr\u00e9e \u00e0 des \u0153uvres graphiques de Dor\u00e9, Denis et Spilliaert. Le parcours est cl\u00f4tur\u00e9 par la pr\u00e9sentation partielle d\u2019un ensemble de gouaches originales de Merson destin\u00e9es \u00e0 l\u2019illustration des po\u00e8mes de H\u00e9r\u00e9dia, au centre d\u2019un accrochage comprenant un C\u00e9zanne re\u00e7u en dation, une toile de Daumier offerte par la Soci\u00e9t\u00e9 des Amis du Mus\u00e9e d\u2019Orsay (SAMO), une toile de Seyssaud, don d\u2019un collectionneur, et d\u2019\u0153uvres pr\u00e9empt\u00e9es en vente publique (S\u00e9rusier) ou acquises sur le march\u00e9 (Vallotton et Von Stuck). Cette exposition, qui ne peut pr\u00e9senter toutes les acquisitions r\u00e9alis\u00e9es depuis sept ans, donnera toutefois lieu \u00e0 la publication d\u2019un catalogue qui en contiendra la liste exhaustive.<\/p>\n

En savoir Plus:<\/span><\/p>\n

Jusqu’au\u00a0\u00a022 f\u00e9vrier 2015 au\u00a0Mus\u00e9e d’Orsay<\/p>\n

Niveau 5, salle d’exposition temporaire<\/p>\n

http:\/\/www.musee-orsay.fr\/<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab Sept ans de r\u00e9flexion \u00bb est une exposition qui r\u00e9v\u00e8le au public les pi\u00e8ces majeures acquises par le mus\u00e9e d\u2019Orsay ou re\u00e7ues en don pendant ces sept derni\u00e8res ann\u00e9es sous la pr\u00e9sidence de Guy Cogeval. Une telle exposition permet au public d\u2019appr\u00e9cier le fruit des enjeux et orientations de la politique d\u2019enrichissement des collections […]<\/p>\n","protected":false},"author":6,"featured_media":2927,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-2893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\n7 ans de r\u00e9flexion Derni\u00e8res acquisitions du Mus\u00e9e D'Orsay Le Magazine de Proantic<\/title>\n<meta name=\"description\" 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