{"id":18013,"date":"2025-10-31T15:07:22","date_gmt":"2025-10-31T14:07:22","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=18013"},"modified":"2025-10-31T15:07:22","modified_gmt":"2025-10-31T14:07:22","slug":"immarcescible-les-emaux-de-limoges","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/immarcescible-les-emaux-de-limoges\/","title":{"rendered":"Immarcescible – Les \u00e9maux de Limoges"},"content":{"rendered":"\n

Les \u00e9maux de Limoges de la Renaissance fascinent depuis cinq si\u00e8cles par leur \u00e9clat intact et leur pouvoir de traverser le temps. Cette nouvelle exposition retrace leur histoire, mais aussi celle de leurs collectionneurs, passionn\u00e9s et visionnaires.<\/strong><\/p>\n\n\n\n

Dans un po\u00e8me de 1866 adress\u00e9 au peintre \u00e9mailleur Claudius Popelin, Th\u00e9ophile Gautier c\u00e9l\u00e8bre \u00ab l\u2019immarcescible \u00e9mail \u00bb \u2013 cette mati\u00e8re vitrifi\u00e9e dont l\u2019\u00e9clat d\u00e9fie les si\u00e8cles. A la fin du XVe<\/sup> si\u00e8cle, Limoges, d\u00e9j\u00e0 renomm\u00e9e pour ses \u00e9maux m\u00e9di\u00e9vaux, d\u00e9veloppe une nouvelle mani\u00e8re de peindre sur cuivre. Les oeuvres r\u00e9unies dans cette exposition couvrent un si\u00e8cle d\u2019excellence, de 1520 \u00e0 1620, marqu\u00e9 par l\u2019essor de cet art sp\u00e9cifiquement fran\u00e7ais. Le cuivre, enduit de verre color\u00e9 cuit au four, produit une surface lisse, brillante, inalt\u00e9rable : ni lumi\u00e8re, ni air, ni temps n\u2019en alt\u00e8rent les couleurs profondes et les ors d\u00e9licats r\u00e9hauss\u00e9s au pinceau. On tient ainsi entre ses mains une image immarcescible, au sens le plus concret : inalt\u00e9rable, elle ne se fanera pas.<\/p>\n\n\n

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\u00a0Immarcescible\u00a0: Les \u00e9maux de Limoges de la Renaissance et leurs collectionneurs. (c) Galerie Kugel, Paris<\/figcaption><\/figure>\n<\/div>\n\n\n

Les \u00e9maux de Limoges de la Renaissance sont une sp\u00e9cialit\u00e9 de longue date de notre galerie. Dans les ann\u00e9es 1990, Hubert de Givenchy vend \u00e0 Alexis et Nicolas Kugel sa c\u00e9l\u00e8bre armoire au char d\u2019Apollon de Boulle et la collection d\u2019\u00e9maux qu\u2019elle contenait. Il vouait \u00e0 ces pi\u00e8ces, notamment en grisaille, une passion d\u00e9bordante, \u00e0 contre-courant d\u2019un march\u00e9 alors en sommeil, et s\u2019\u00e9tait constitu\u00e9 une collection remarquable. Pr\u00e9sent\u00e9e lors de la Biennale des Antiquaires de 1994, celle-ci ne fut pas dispers\u00e9e : elle fut vendue en bloc, d\u00e8s les premi\u00e8res heures de l\u2019inauguration, \u00e0 Pierre Berg\u00e9. La nouvelle de cette vente spectaculaire suffit \u00e0 redonner un souffle au march\u00e9 des \u00e9maux de Limoges de la Renaissance.<\/p>\n\n\n

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\u00a0Immarcescible\u00a0: Les \u00e9maux de Limoges de la Renaissance et leurs collectionneurs. (c) Galerie Kugel, Paris<\/figcaption><\/figure>\n<\/div>\n\n\n

L\u2019exposition \u00ab\u00a0Immarcescible\u00a0: Les \u00e9maux de Limoges de la Renaissance et leurs collectionneurs<\/strong>\u00a0\u00bb propose de faire d\u00e9couvrir au\u00a0grand public un ensemble in\u00e9dit de plus de 70 pi\u00e8ces. De la cr\u00e9ation de ces objets jusqu\u2019\u00e0 nos jours, le catalogue richement illustr\u00e9 qui accompagne l\u2019exposition passera en revue les p\u00e9riodes d\u2019engouement et d\u2019oubli, montrant qu\u2019\u00e0 chaque g\u00e9n\u00e9ration, il suffit de quelques collectionneurs curieux et \u00e9clair\u00e9s pour faire resurgir cette beaut\u00e9 intemporelle. Beaucoup de leurs noms nous sont encore familiers\u00a0: les diff\u00e9rentes branches de la famille Rothschild, J. P. Morgan, Henry Clay Frick, William Randolph Hearst, Hubert de Givenchy, Pierre Berg\u00e9 et Yves Saint Laurent\u2026<\/p>\n\n\n\n

Exposition Galerie Kugel<\/strong>, Paris jusqu’au 20 d\u00e9cembre 2025<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Les \u00e9maux de Limoges de la Renaissance fascinent depuis cinq si\u00e8cles par leur \u00e9clat intact et leur pouvoir de traverser le temps. Cette nouvelle exposition retrace leur histoire, mais aussi celle de leurs collectionneurs, passionn\u00e9s et visionnaires. Dans un po\u00e8me de 1866 adress\u00e9 au peintre \u00e9mailleur Claudius Popelin, Th\u00e9ophile Gautier c\u00e9l\u00e8bre \u00ab l\u2019immarcescible \u00e9mail \u00bb \u2013 cette […]<\/p>\n","protected":false},"author":6,"featured_media":18016,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-18013","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"\nImmarcescible - Les \u00e9maux de Limoges Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Les \u00e9maux de Limoges de la Renaissance fascinent depuis cinq si\u00e8cles par leur \u00e9clat intact et leur pouvoir de traverser le temps. 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