{"id":17851,"date":"2025-08-16T15:05:16","date_gmt":"2025-08-16T14:05:16","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=17851"},"modified":"2026-01-01T11:08:03","modified_gmt":"2026-01-01T10:08:03","slug":"miroir-en-email-limoges-debut-du-xviie-siecle","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/miroir-en-email-limoges-debut-du-xviie-siecle\/","title":{"rendered":"Miroir en \u00e9mail – Limoges, d\u00e9but du XVIIe si\u00e8cle."},"content":{"rendered":"\n

Miroir en \u00e9mail et cuivre dor\u00e9 repr\u00e9sentant Mercure. Limoges, d\u00e9but du XVIIe si\u00e8cle.<\/strong><\/p>\n\n\n\n

Plaque \u00e9maill\u00e9e\u00a0: environ 9 cm de hauteur. Dimensions\u00a0: 12,7 \u00d7 8,3 \u00d7 1 cm.<\/p>\n\n\n\n

Ce miroir ovale finement ouvrag\u00e9 pr\u00e9sente une sc\u00e8ne en \u00e9mail polychrome \u00e9clatant sur fond noir, encadr\u00e9e dans un cadre en cuivre dor\u00e9. La fa\u00e7ade est orn\u00e9e d’une repr\u00e9sentation de Mercure, reconnaissable \u00e0 son casque ail\u00e9 et \u00e0 son caduc\u00e9e, debout sous une arche classique flanqu\u00e9e de colonnes stylis\u00e9es et de vases de fleurs. Au-dessus de l’entablement, un dais est soutenu par deux escargots, tandis que deux aigui\u00e8res verseuses couronnent les angles sup\u00e9rieurs, d’o\u00f9 jaillissent des jets stylis\u00e9s. Les \u00e9l\u00e9ments architecturaux et ornementaux sont rehauss\u00e9s d’\u00e9mail translucide et opaque, rehauss\u00e9s de dorure et de poin\u00e7onnages complexes. Le cadre est moul\u00e9 avec une bordure guilloch\u00e9e, surmont\u00e9e d’une boucle rocaille ajour\u00e9e \u00e0 motif de coquille Saint-Jacques, et se termine en dessous par un fleuron pendant tourn\u00e9.<\/p>\n\n\n\n

\"\"<\/a>
Miroir en \u00e9mail. Limoges, XVIIe si\u00e8cle.
(c) Belle Histoire<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

Les c\u00f4t\u00e9s du cadre sont grav\u00e9s d’une d\u00e9licate frise de feuillages, tandis que le revers est cisel\u00e9 \u00e0 plat de trois vases de fleurs stylis\u00e9es sortant de supports \u00e0 volutes, encadr\u00e9s au-dessus de guirlandes drap\u00e9es, de papillons et d’un masque de ch\u00e9rubin ail\u00e9. Le bo\u00eetier s’ouvre par le haut sur charni\u00e8res pour r\u00e9v\u00e9ler son int\u00e9rieur, initialement \u00e9quip\u00e9 d’un verre miroir, aujourd’hui partiellement oxyd\u00e9 mais conservant des zones de reflets. La forme g\u00e9n\u00e9rale et la monture sugg\u00e8rent qu’il \u00e9tait destin\u00e9 \u00e0 la fois \u00e0 un usage personnel et \u00e0 l’exposition, suspendu \u00e0 une cha\u00eene ou \u00e0 un ruban.<\/p>\n\n\n\n

\"\"<\/a>
Miroir en \u00e9mail. Limoges, XVIIe si\u00e8cle.
(c) Belle Histoire<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

La composition en \u00e9mail est directement inspir\u00e9e d’une estampe d’\u00c9tienne Delaune (1518\/1519\u20131583), tir\u00e9e de sa s\u00e9rie Grotesques \u00e0 fond noir, Dieux et D\u00e9esses, r\u00e9alis\u00e9e en France vers 1550\u20131572 avant son d\u00e9part pour Strasbourg. Les gravures de Delaune ont constitu\u00e9 une source essentielle pour les \u00e9mailleurs de Limoges de la fin du XVIe et du d\u00e9but du XVIIe si\u00e8cle, notamment pour la production de plaques de miroir ovales destin\u00e9es \u00e0 la toilette personnelle ou \u00e0 la pr\u00e9sentation de cabinets.<\/p>\n\n\n\n

\"\"<\/a>
Miroir en \u00e9mail. Limoges, XVIIe si\u00e8cle.
(c) Belle Histoire<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

De l\u2019estampe \u00e0 l\u2019objet, la fabrique des mod\u00e8les<\/strong>
<\/p>\n\n\n\n

Il n\u2019est pas rare \u00e0 la Renaissance qu\u2019un orf\u00e8vre se tourne vers la gravure : les outils sont les m\u00eames et la production d\u2019estampes lui procure un compl\u00e9ment de revenus appr\u00e9ciable. Environ 450 estampes seront ainsi grav\u00e9es par \u00c9tienne Delaune d\u2019apr\u00e8s les plus grands peintres de son temps (Rosso Fiorentino, Jean Cousin, Baptiste Pellerin, Primatice). Ce qui contribue \u00e0 faire d\u2019\u00c9tienne Delaune une figure d\u2019exception, c\u2019est tout autant la perfection technique de son style que son choix de graver en miniature. Ce format est en effet tr\u00e8s adapt\u00e9 aux besoins des artisans, ma\u00eetres-orf\u00e8vres, \u00e9mailleurs ou peintres verriers, qui sont toujours \u00e0 la recherche de mod\u00e8les simples \u00e0 copier pour d\u00e9corer leur propre production.<\/p>\n\n\n\n

\"\"<\/a>
Miroir en \u00e9mail. Limoges, XVIIe si\u00e8cle.
(c) Belle Histoire<\/a>, Proantic<\/figcaption><\/figure>\n\n\n\n

L\u2019ad\u00e9quation entre cette demande et les motifs grav\u00e9s par Delaune explique qu\u2019\u00e0 la fin du XVIe si\u00e8cle, l\u2019on retrouve ses sujets partout, de la reliure aux vitraux, en passant par le mobilier, l\u2019orf\u00e8vrerie, les revers de miroirs \u00e9maill\u00e9s ou les cam\u00e9es. Au XIXe si\u00e8cle, sa production va m\u00eame connaitre une seconde vie au travers des multiples faux et pastiches qui nourrissent le go\u00fbt des collectionneurs pour le style \u00ab Renaissance \u00bb. Du mod\u00e8le \u00e0 l\u2019objet, de l\u2019innovation \u00e0 l\u2019arch\u00e9type, l\u2019art de Delaune a donc travers\u00e9 les si\u00e8cles et les techniques en modelant, dans son sillage, tout un pan de l\u2019art fran\u00e7ais.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Miroir en \u00e9mail et cuivre dor\u00e9 repr\u00e9sentant Mercure. Limoges, d\u00e9but du XVIIe si\u00e8cle. Plaque \u00e9maill\u00e9e\u00a0: environ 9 cm de hauteur. Dimensions\u00a0: 12,7 \u00d7 8,3 \u00d7 1 cm. Ce miroir ovale finement ouvrag\u00e9 pr\u00e9sente une sc\u00e8ne en \u00e9mail polychrome \u00e9clatant sur fond noir, encadr\u00e9e dans un cadre en cuivre dor\u00e9. La fa\u00e7ade est orn\u00e9e d’une repr\u00e9sentation […]<\/p>\n","protected":false},"author":6,"featured_media":17857,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[],"class_list":["post-17851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-decoratifs-proantic"],"yoast_head":"\nMiroir en \u00e9mail - Limoges, d\u00e9but du XVIIe si\u00e8cle. 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