{"id":17133,"date":"2024-10-16T15:18:50","date_gmt":"2024-10-16T14:18:50","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=17133"},"modified":"2024-10-16T15:18:50","modified_gmt":"2024-10-16T14:18:50","slug":"venise-une-question-de-point-de-vue","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/venise-une-question-de-point-de-vue\/","title":{"rendered":"Venise, une question de point de vue"},"content":{"rendered":"\n<p><strong>Apr\u00e8s avoir rendu hommage \u00e0 Blanche Hosched\u00e9-Monet en 2010, explor\u00e9 les \u00ab Paysages d\u2019eau \u00bb en 2013, les \u00ab Portraits impressionnistes \u00bb en 2016 et les couleurs du jour \u00ab De l\u2019aube au cr\u00e9puscule \u00bb en 2020, le mus\u00e9e de Louviers emm\u00e8ne ses visiteurs \u00e0 la d\u00e9couverte de Venise.<\/strong> Bien que le sujet soit rab\u00e2ch\u00e9, de nombreux artistes de la fin du 19e si\u00e8cle sont attir\u00e9s (et saisis une fois sur place) par l\u2019atmosph\u00e8re de la cit\u00e9 construite sur les eaux, \u00e0 l\u2019instar de Claude Monet, James Abbott Mac Neill Whistler, Franz-Richard Unterberger ou encore Louis Aston Knight. Ils s\u2019attardent sur les sites consacr\u00e9s comme le Rialto, l\u2019entr\u00e9e du Grand Canal, Santa Maria della Salute, San Giorgio, la place Saint-Marc, le Quai des Esclavons\u2026 Mais certains sortent des sentiers battus et tentent de montrer un autre visage de Venise, profitant du d\u00e9veloppement de la S\u00e9r\u00e9nissime qui leur offre de nouveaux points de vue, moins convenus, plus originaux.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"665\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/-mJgM6XWNU4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;start=51&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p> Des ann\u00e9es 1850 au tout d\u00e9but du 20e si\u00e8cle, l\u2019exposition Venise, une question de point de vue explorera l\u2019image de la S\u00e9r\u00e9nissime au moment o\u00f9 le tourisme se d\u00e9veloppe gr\u00e2ce \u00e0 l\u2019arriv\u00e9e du train sur l\u2019\u00eele (1846) ; o\u00f9 les premiers vaporetti offrent la possibilit\u00e9 aux voyageurs munis de leur guide touristique de se d\u00e9placer plus ais\u00e9ment dans la ville ; o\u00f9 les nombreux am\u00e9nagements (construction de nouveaux ponts, d\u00e9veloppement du Lido, \u2026) donnent un nouveau visage \u00e0 la cit\u00e9 lacustre ; o\u00f9 la photographie vient progressivement supplanter les traditionnelles vedute, h\u00e9riti\u00e8res des peintures de Guardi ou Canaletto.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"784\" data-attachment-id=\"17134\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/venise-une-question-de-point-de-vue\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?fit=1600%2C1886&amp;ssl=1\" data-orig-size=\"1600,1886\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Venise, une question de point de vue\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Franz-Richard Unterberger, Venise, Santa Maria della Salute, vers 1885&lt;br \/&gt;\n\u00a9 Mus\u00e9e de Louviers&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?fit=255%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?fit=665%2C784&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?resize=665%2C784&#038;ssl=1\" alt=\"\" class=\"wp-image-17134\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?resize=869%2C1024&amp;ssl=1 869w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?resize=255%2C300&amp;ssl=1 255w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?resize=768%2C905&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?resize=1303%2C1536&amp;ssl=1 1303w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/venise-une-question-de-point-de-vue-franz-richard-unterberger-venise-santa-maria-della-salute-vers-1885-cmusee-de-louviers-1600x0-1.jpg?w=1600&amp;ssl=1 1600w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Franz-Richard Unterberger, Venise, Santa Maria della Salute, vers 1885\n\u00a9 Mus\u00e9e de Louviers<\/figcaption><\/figure>\n\n\n\n<p>L\u2019exposition permettra de voir comment les impressionnistes et leurs contemporains ont abord\u00e9 le th\u00e8me de Venise en fonction du mouvement artistique auquel ils appartiennent, de la technique utilis\u00e9e et de leur origine. En mettant le visiteur dans la peau d\u2019un touriste d\u00e9sireux de se laisser envo\u00fbter par le pouvoir de la ville-n\u00e9nuphar, le parcours d\u00e9voilera les mille et un regards port\u00e9s par les artistes sur la S\u00e9r\u00e9nissime, des plus \u00ab respectueux du mod\u00e8le \u00bb aux plus inventifs qui n\u2019ont pas h\u00e9sit\u00e9 \u00e0 casser les codes.<\/p>\n\n\n\n<p><strong>Parcours de l\u2019exposition<\/strong><\/p>\n\n\n\n<p>Le parcours de l\u2019exposition est un voyage au coeur de la ville. Il est con\u00e7u sur le mod\u00e8le d\u2019un guide touristique des ann\u00e9es 1880. Il offre diff\u00e9rents points de vue d\u2019un m\u00eame sujet afin de d\u00e9voiler les inventions plastiques des artistes qui ont cherch\u00e9 (ou pas) \u00e0 bouleverser les codes de l\u2019art. Dans la peau d\u2019un touriste d\u00e9couvrant Venise et ses tr\u00e9sors, le visiteur d\u00e9ambulera dans les diff\u00e9rents quartiers de la cit\u00e9 lacustre.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"876\" data-attachment-id=\"17136\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/venise-une-question-de-point-de-vue\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?fit=1214%2C1600&amp;ssl=1\" data-orig-size=\"1214,1600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Venise, une question de point de vue\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Carlo Naya, Vue du pont des soupirs, Venise, 1874. Tirage albumin\u00e9 contrecoll\u00e9 sur carton, 34.7 x 27.2 cm. Collection particuli\u00e8re \u00a9Mus\u00e9e de Louviers &lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?fit=228%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?fit=665%2C876&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?resize=665%2C876&#038;ssl=1\" alt=\"\" class=\"wp-image-17136\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?resize=777%2C1024&amp;ssl=1 777w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?resize=228%2C300&amp;ssl=1 228w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?resize=768%2C1012&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?resize=1165%2C1536&amp;ssl=1 1165w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_fd41e3_musee-de-louviers-venise-une-question.jpg?w=1214&amp;ssl=1 1214w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Carlo Naya, Vue du pont des soupirs, Venise, 1874. Tirage albumin\u00e9 contrecoll\u00e9 sur carton, 34.7 x 27.2 cm. Collection particuli\u00e8re \u00a9Mus\u00e9e de Louviers <\/figcaption><\/figure>\n<\/div>\n\n\n<p><strong>Un long voyage, de Paris \u00e0 Venise<\/strong><\/p>\n\n\n\n<p>Le voyage \u00e0 Venise commence \u00e0 Paris. Gr\u00e2ce au d\u00e9veloppement du chemin de fer, le voyageur&nbsp;peut faire le voyage en quelques jours en passant par des villes \u00e9tapes comme Turin et Milan. En&nbsp;1846, le train arrive sur les quais du Grand Canal \u00e0 Venise gr\u00e2ce \u00e0 la construction du pont des&nbsp;lagunes. H\u00e9rit\u00e9 du Grand Tour, ce voyage \u00e0 Venise reste un rituel au 19\u00e8me si\u00e8cle. D\u00e9sormais,&nbsp;les personnes s\u2019y rendent pour d\u2019autres envies. Venise est notamment vue comme une cit\u00e9&nbsp;baln\u00e9aire dont les eaux auraient des vertus th\u00e9rapeutiques.<br>Artistes expos\u00e9s : Albert Lebourg, Jacques Li\u00e9vin, Eug\u00e8ne Boudin, Ren\u00e9 M\u00e9nard, Am\u00e9d\u00e9e Rosier,&nbsp;Norbert Goeneutte&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"374\" data-attachment-id=\"17142\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/venise-une-question-de-point-de-vue\/450359228_800669085504310_4126801389200598363_n\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?fit=1080%2C608&amp;ssl=1\" data-orig-size=\"1080,608\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Venise, une question de point de vue\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Franz Richard Unterberger, Gondoles devant Santa Maria della Salute, Venise&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?fit=665%2C374&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?resize=665%2C374&#038;ssl=1\" alt=\"\" class=\"wp-image-17142\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450359228_800669085504310_4126801389200598363_n.jpg?w=1080&amp;ssl=1 1080w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Franz Richard Unterberger, Gondoles devant Santa Maria della Salute, Venise<\/figcaption><\/figure>\n\n\n\n<p><strong>La place Saint-Marc<\/strong><\/p>\n\n\n\n<p>Venise semble \u00eatre fig\u00e9e dans son pass\u00e9 et r\u00e9duite \u00e0 ses vues pittoresques, pourtant elle&nbsp;continue \u00e0 attirer les artistes. La place Saint-Marc fait partie des sites les plus souvent&nbsp;repr\u00e9sent\u00e9s. De la place \u00e0 la Piazzetta, en passant par le campanile et la basilique Saint-Marc,&nbsp;les peintres ont tent\u00e9 de restituer l\u2019atmosph\u00e8re de ce coin de Venise, consid\u00e9r\u00e9 comme la porte&nbsp;d\u2019entr\u00e9e principale de la ville.<br>Artistes expos\u00e9s : F\u00e9lix Ziem, Carlo Naya, Edmond Yarz, Maurice Bompard, Walter Sickert,&nbsp;Jacques Emile Blanche&#8230;.<\/p>\n\n\n\n<p><strong>Le Grand Canal<\/strong><\/p>\n\n\n\n<p>Le Grand Canal et ses mille et un reflets offrent un terrain de jeu id\u00e9al pour les artistes qui ne&nbsp;se lassent pas de le repr\u00e9senter avec ses monuments embl\u00e9matiques tel le Rialto.<br>Artistes expos\u00e9s : Alexandre Promio, F\u00e9lix Ziem, Pierre Georges Dieterle&#8230;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450358439_800671692170716_9025974427959037925_n.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"509\" height=\"600\" data-attachment-id=\"17141\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/venise-une-question-de-point-de-vue\/450358439_800671692170716_9025974427959037925_n\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450358439_800671692170716_9025974427959037925_n.jpg?fit=509%2C600&amp;ssl=1\" data-orig-size=\"509,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"450358439_800671692170716_9025974427959037925_n\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Franz Richard Unterberger, Rio Saint Geronimo Venise&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450358439_800671692170716_9025974427959037925_n.jpg?fit=255%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450358439_800671692170716_9025974427959037925_n.jpg?fit=509%2C600&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450358439_800671692170716_9025974427959037925_n.jpg?resize=509%2C600&#038;ssl=1\" alt=\"\" class=\"wp-image-17141\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450358439_800671692170716_9025974427959037925_n.jpg?w=509&amp;ssl=1 509w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/450358439_800671692170716_9025974427959037925_n.jpg?resize=255%2C300&amp;ssl=1 255w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\" \/><\/a><figcaption class=\"wp-element-caption\">Franz Richard Unterberger, Rio Saint Geronimo Venise<\/figcaption><\/figure>\n<\/div>\n\n\n<p><strong>Santa Maria della Salute et la Pointe de la Douane<\/strong><\/p>\n\n\n\n<p>\u00c0 l\u2019extr\u00e9mit\u00e9 du Grand Canal, Santa Maria della Salute et la Pointe de la Douane sont&nbsp;indissociables de part leur proximit\u00e9 g\u00e9ographique. Ces deux b\u00e2timents font l\u2019admiration de&nbsp;nombreux peintres. Pos\u00e9s sur les quais de la Piazzetta, ils peuvent prendre le temps de la&nbsp;repr\u00e9senter sur leur toile, m\u00eame si la r\u00e9volution du soleil les emp\u00eache de le faire \u00e0 certaines&nbsp;heures.<br>Artistes expos\u00e9s : Franz-Richard Unterberger, Jacques Emile Blanche, Pierre Gusman, James&nbsp;Duffield Harding&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?ssl=1\" data-lightbox=\"gal[17133]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"438\" data-attachment-id=\"17138\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/venise-une-question-de-point-de-vue\/d9a3591c094fb4e30517367c7f0b28db\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?fit=1881%2C1240&amp;ssl=1\" data-orig-size=\"1881,1240\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Venise, une question de point de vue\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?fit=300%2C198&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?fit=665%2C438&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?resize=665%2C438&#038;ssl=1\" alt=\"\" class=\"wp-image-17138\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?resize=1024%2C675&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?resize=300%2C198&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?resize=768%2C506&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?resize=1536%2C1013&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?w=1881&amp;ssl=1 1881w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/d9a3591c094fb4e30517367c7f0b28db.jpeg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><\/figure>\n\n\n\n<p><strong>L\u2019\u00eele de San Giorgio Maggiore<\/strong><\/p>\n\n\n\n<p>Site embl\u00e9matique de la ville, l\u2019\u00eele de San Giorgio Maggiore (Saint-Georges-Majeur) a \u00e9t\u00e9 de&nbsp;nombreuses fois peinte. Situ\u00e9e en face du palais des Doges, \u00e0 l&rsquo;entr\u00e9e du Grand Canal, elle est&nbsp;reconnaissable \u00e0 sa silhouette unique qui se dresse \u00e0 la crois\u00e9e du canal de la Giudecca, du&nbsp;bassin de Saint-Marc et du canal de San Marco au sud de la lagune.&nbsp;<br>Artistes expos\u00e9s : Albert Marquet, Henri Martin, F\u00e9lix Bouchor, Am\u00e9d\u00e9e Rosier, Eug\u00e8ne Boudin&#8230;<\/p>\n\n\n\n<p><strong>La Giudecca<\/strong><\/p>\n\n\n\n<p>La Giudecca et son large canal offrent un panorama exceptionnel aux artistes. Les quais, les&nbsp;\u00e9glises et les maisons situ\u00e9s au sud du quartier du Dorsoduro sont les principales sources&nbsp;d\u2019inspiration. Les peintres s\u2019installent sur les quais du quartier de la Giudecca pour avoir la plus&nbsp;belle lumi\u00e8re.<br>Artistes expos\u00e9s : Fran\u00e7ois Nardi, Iwill, Eug\u00e8ne Boudin, F\u00e9lix Bouchor, Paul Signac<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/18872399.jpeg?ssl=1\" data-lightbox=\"gal[17133]\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"374\" data-attachment-id=\"17139\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/venise-une-question-de-point-de-vue\/attachment\/18872399\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/18872399.jpeg?fit=856%2C482&amp;ssl=1\" data-orig-size=\"856,482\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Venise, une question de point de vue\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/18872399.jpeg?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/18872399.jpeg?fit=665%2C374&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/18872399.jpeg?resize=665%2C374&#038;ssl=1\" alt=\"\" class=\"wp-image-17139\" style=\"width:840px;height:auto\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/18872399.jpeg?w=856&amp;ssl=1 856w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/18872399.jpeg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/18872399.jpeg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Marie-Joseph L\u00e9on Clavel, dit Iwill<br>La Giudecca-Venise Huile sur toile, 1892<br>Mus\u00e9e de Louviers<br>\u00a9Agn\u00e8s Gaudu<\/figcaption><\/figure>\n\n\n\n<p><strong>Les squeri de Venise<\/strong><\/p>\n\n\n\n<p>Les squeri sont des anciens chantiers navals de construction, d\u2019entretien et de r\u00e9paration des&nbsp;bateaux \u00e0 rames v\u00e9nitiens. Ils ont une particularit\u00e9 architecturale qui d\u00e9note avec le paysage de&nbsp;la cit\u00e9, ils sont construits en pans de bois. Venise en garde encore quelques exemples visibles&nbsp;lorsque l\u2019on se perd le long des canaux de la ville, comme celui construit sur le canal Ognissanti,&nbsp;\u00e0 deux pas du canal de la Giudecca.<br>Artistes expos\u00e9s : Emile Vaucanu, Louis Aston Knight, Edgar Chahine<\/p>\n\n\n\n<p><strong>Au fil des canaux<\/strong><\/p>\n\n\n\n<p>En sortant des sentiers battus, le long des petits canaux, les artistes ont pu peindre l\u2019Arsenal, la maison du peintre Tintoret ou encore un des 400 ponts qui enjambent les canaux. Certains&nbsp;artistes ont souhait\u00e9 repr\u00e9senter ses richesses, moins connus et plus originaux, offrant ainsi \u00e0 Venise un nouveau souffle, d\u00e9poussi\u00e9rant l\u2019image de la Cit\u00e9 des Doges.<br>Artistes expos\u00e9s : Charles Lapostolet, Iwill, Maurice Bompard, R\u00e9my Cogghe, F\u00e9lix Bouchor&#8230;<\/p>\n\n\n\n<p><strong>La lagune<\/strong><\/p>\n\n\n\n<p>La lagune est un terrain de jeu id\u00e9al pour les peintres qui se plaisent \u00e0 repr\u00e9senter ses eaux&nbsp;teint\u00e9es de bleus. Loin des monuments caract\u00e9ristiques de la cit\u00e9 des Doges, la lagune offre des&nbsp;points de vue infinis o\u00f9 le ciel et l\u2019eau se confondent. Dans ces paysages, certains indices&nbsp;comme les gondoles nous rappellent que nous sommes \u00e0 Venise.<br>Artistes expos\u00e9s : Albert Marquet, Charles Cottet, James Abbot McNeill Whistler<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"417\" data-attachment-id=\"17137\" data-permalink=\"https:\/\/www.proantic.com\/magazine\/venise-une-question-de-point-de-vue\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?fit=1600%2C1003&amp;ssl=1\" data-orig-size=\"1600,1003\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Venise, une question de point de vue\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Norbert Goeneutte, Vue de Venise, 1890. Eau forte, 27.1 x 37.6 cm, Collection particuli\u00e8re \u00a9Mus\u00e9e de Louviers&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?fit=300%2C188&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?fit=665%2C417&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?resize=665%2C417&#038;ssl=1\" alt=\"\" class=\"wp-image-17137\" srcset=\"https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?resize=1024%2C642&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?resize=300%2C188&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?resize=768%2C481&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?resize=1536%2C963&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/www.proantic.com\/magazine\/wp-content\/uploads\/2024\/10\/image_1371349_20240804_ob_30007e_venise-une-question-de-point-de-vue-mu.jpg?w=1330&amp;ssl=1 1330w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><figcaption class=\"wp-element-caption\">Norbert Goeneutte, Vue de Venise, 1890. Eau forte, 27.1 x 37.6 cm, Collection particuli\u00e8re \u00a9Mus\u00e9e de Louviers<\/figcaption><\/figure>\n\n\n\n<p><strong>MUS\u00c9E DE LOUVIERS<\/strong><\/p>\n\n\n\n<p><strong>Jusqu\u2019au 28 octobre 2024<\/strong><\/p>\n\n\n\n<p>Place Ernest Thorel, 27400 Louviers<\/p>\n\n\n\n<p>Entr\u00e9e libre<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s avoir rendu hommage \u00e0 Blanche Hosched\u00e9-Monet en 2010, explor\u00e9 les \u00ab Paysages d\u2019eau \u00bb en 2013, les \u00ab Portraits impressionnistes \u00bb en 2016 et les couleurs du jour \u00ab De l\u2019aube au cr\u00e9puscule \u00bb en 2020, le mus\u00e9e de Louviers emm\u00e8ne ses visiteurs \u00e0 la d\u00e9couverte de Venise. Bien que le sujet soit rab\u00e2ch\u00e9, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":17135,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-17133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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