{"id":12548,"date":"2020-06-28T17:23:33","date_gmt":"2020-06-28T16:23:33","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=12548"},"modified":"2020-06-28T17:24:50","modified_gmt":"2020-06-28T16:24:50","slug":"jean-etienne-liotard-nomme-le-peintre-turc","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/jean-etienne-liotard-nomme-le-peintre-turc\/","title":{"rendered":"Jean-\u00c9tienne Liotard , nomm\u00e9 le peintre turc."},"content":{"rendered":"\n

Pastelliste et miniaturiste suisse d’origine fran\u00e7aise<\/strong> (son p\u00e8re, joaillier de Mont\u00e9limar, s’\u00e9tait r\u00e9fugi\u00e9 \u00e0 Gen\u00e8ve pour \u00e9chapper aux pers\u00e9cutions religieuses), Liotard (1702-1789) se forme \u00e0 Gen\u00e8ve, puis \u00e0 Paris, o\u00f9 il \u00e9choue au prix de Rome ; mais il se fait une r\u00e9putation de portraitiste et s’attache au marquis de Puysieux, qui l’emm\u00e8ne en Italie (1736). <\/p>\n\n\n\n

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Portrait de l’\u00e9pouse de l’artiste, Marie Fargues (vers 1718-1784), en robe turque<\/figcaption><\/figure><\/div>\n\n\n\n

Sa carri\u00e8re est marqu\u00e9e par des voyages : en France, en Italie o\u00f9 il fait le portrait du pape Cl\u00e9ment XII, mais surtout \u00e0 Constantinople, capitale de l\u2019Empire ottoman, o\u00f9 il reste quatre ans (1738-1742).<\/p>\n\n\n\n

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Portrait de Marie-Ad\u00e9la\u00efde de France habill\u00e9e \u00e0 la turque (1753), Florence, Galerie des Offices.<\/figcaption><\/figure>\n\n\n\n

Il y r\u00e9alise de nombreux portraits : ceux d\u2019Europ\u00e9ens en costume turc, comme monsieur Levett et mademoiselle Glavani, mais aussi celui d\u2019un grand vizir et, surtout, ceux de dames, turques ou occidentales. Il peint \u00e9galement le portrait de John Montagu, ambassadeur de Grande-Bretagne, dont l\u2019\u00e9pouse est l\u2019autrice de c\u00e9l\u00e8bres lettres d\u00e9crivant la vie stambouliote, qui inspireront de nombreux peintres orientalistes.<\/p>\n\n\n\n

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Portrait d’un Grand Vizir de l’Empire ottoman (vers 1738-1743), Londres, National Gallery.<\/figcaption><\/figure><\/div>\n\n\n\n

Plus tard, entre 1743 et 1745, lors de son s\u00e9jour en Autriche, il se pr\u00e9sente \u00e0 l\u2019imp\u00e9ratrice Marie-Th\u00e9r\u00e8se v\u00eatu \u00e0 la turque, avec une longue barbe floconneuse \u00e0 la moldave, comme dans son autoportrait sign\u00e9 \u00ab J. E. Liotard de Gen\u00e8ve surnomm\u00e9 le Peintre turc \u00bb. Il la peint en costume oriental, et r\u00e9alise les portraits de ses nombreux enfants, dont Marie-Antoinette, future reine de France.<\/p>\n\n\n\n

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La Belle Chocolati\u00e8re (1743), Dresde, Gem\u00e4ldegalerie Alte Meister.<\/figcaption><\/figure>\n\n\n\n

Vers 1750, en France, il portraiture Louis XV, Madame de Pompadour et des dames de la cour , ainsi que les philosophes Voltaire et Jean-Jacques Rousseau ce dernier portant, comme souvent, un caftan arm\u00e9nien.<\/p>\n\n\n\n

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Le Petit D\u00e9jeuner (1753), Munich, Alte Pinakothek.<\/figcaption><\/figure>\n\n\n\n

En 1757, apr\u00e8s d\u2019autres s\u00e9jours en Angleterre et en Hollande, il s\u2019installe \u00e0 Gen\u00e8ve, o\u00f9 il devient le portraitiste des notables.<\/p>\n\n\n\n

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Portrait de Marie-Fr\u00e9d\u00e9rique van Reede-Athlone \u00e2g\u00e9e de sept ans (1755-1756), Los Angeles, Getty Center.<\/figcaption><\/figure>\n\n\n\n

L’art de Liotard s’oppose \u00e0 l’art fran\u00e7ais du XVIII\u00e8me, \u00e9pris de brio, de gr\u00e2ce et de charme. Il est typiquement genevois par son go\u00fbt de l’analyse et de l’observation, par son ind\u00e9pendance, qui lui fait m\u00e9priser les \u00e9coles \u00e0 la mode ; il use d’un langage pictural extr\u00eamement d\u00e9pouill\u00e9, se refusant \u00e0 toute concession tendant \u00e0 embellir ses mod\u00e8les. Sa premi\u00e8re et son unique pr\u00e9occupation est de faire \u00a0\u00bb vrai \u00a0\u00bb \u2014 d’o\u00f9 son surnom de \u00a0\u00bb peintre de la v\u00e9rit\u00e9 \u00ab\u00a0. <\/p>\n\n\n\n

\"\"
Portrait de Fran\u00e7ois Tronchin avec un tableau de sa collection \u00ab\u00a0La femme au lit\u00a0\u00bb de Rembrandt (1757), Cleveland Museum of Art<\/figcaption><\/figure>\n\n\n\n

Coloriste sensible, Liotard poss\u00e8de au plus haut point la science des valeurs. Ses pastels n’ont pas la p\u00e9n\u00e9tration psychologique de ceux de La Tour ni l’extr\u00eame raffinement de ceux de Perronneau, mais leur prix r\u00e9side dans le rendu scrupuleux de la r\u00e9alit\u00e9. <\/p>\n","protected":false},"excerpt":{"rendered":"

Pastelliste et miniaturiste suisse d’origine fran\u00e7aise (son p\u00e8re, joaillier de Mont\u00e9limar, s’\u00e9tait r\u00e9fugi\u00e9 \u00e0 Gen\u00e8ve pour \u00e9chapper aux pers\u00e9cutions religieuses), Liotard (1702-1789) se forme \u00e0 Gen\u00e8ve, puis \u00e0 Paris, o\u00f9 il \u00e9choue au prix de Rome ; mais il se fait une r\u00e9putation de portraitiste et s’attache au marquis de Puysieux, qui l’emm\u00e8ne en Italie […]<\/p>\n","protected":false},"author":6,"featured_media":12583,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[261],"tags":[],"class_list":["post-12548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-peintres-tableaux"],"yoast_head":"\nJean-\u00c9tienne Liotard , nomm\u00e9 le peintre turc. 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