{"id":12447,"date":"2020-06-07T13:52:54","date_gmt":"2020-06-07T12:52:54","guid":{"rendered":"https:\/\/www.proantic.com\/magazine\/?p=12447"},"modified":"2020-06-07T13:54:05","modified_gmt":"2020-06-07T12:54:05","slug":"les-cris-de-paris","status":"publish","type":"post","link":"https:\/\/www.proantic.com\/magazine\/les-cris-de-paris\/","title":{"rendered":"Les \u00ab cris de Paris \u00bb"},"content":{"rendered":"\n

Les \u00ab\u00a0cris de Paris\u00a0\u00bb d\u00e9signent l\u2019univers des marchands ambulants, des petits m\u00e9tiers non qualifi\u00e9s qui fourmillent dans les rues de Paris.<\/strong> Durant trois si\u00e8cles, les \u00ab\u00a0cris de Paris\u00a0\u00bb ont constitu\u00e9 un th\u00e8me d\u2019inspiration litt\u00e9raire, iconographique et musical. <\/p>\n\n\n\n

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Dessins \u00e0 la sanguine repr\u00e9sente des marchants ambulants. Appel\u00e9s aussi \u00ab\u00a0Cris de Paris\u00a0\u00bb,\n(c) Galerie B\u00e9atrice Chappas, Proantic<\/figcaption><\/figure>\n\n\n\n

Un peu comme aujourd’hui sur les march\u00e9s, ces cris, au nombre d’une cinquantaine, \u00e9taient pouss\u00e9s par les marchands ambulants, qui exer\u00e7aient leurs activit\u00e9s dans les rues de la capitale, du Moyen \u00c2ge \u00e0 la Premi\u00e8re Guerre mondiale. Ils signalaient ainsi leur pr\u00e9sence tout en animant les rues et les places de \u00ab cette grand’ville si belle mais si bruyante \u00bb (Boileau). Ces cris \u00e9taient r\u00e9glement\u00e9s en fonction de chaque corporation de m\u00e9tier.<\/p>\n\n\n\n

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Estampes color\u00e9es dat\u00e9es 1818, Cris de Paris.\n(c) Anquez Antiquit\u00e9s, Proantic<\/figcaption><\/figure>\n\n\n\n

Histoire des cris de Paris<\/h4>\n\n\n\n

Les cris des marchands ambulants remontent \u00e0 l\u2019\u00e9poque m\u00e9di\u00e9vale. Premi\u00e8re forme orale de publicit\u00e9, ils faisaient partie int\u00e9grante du bruit des villes. L\u2019un des plus anciens t\u00e9moignages historiques sur les cris de Paris nous est fourni par\u00a0Le livre des m\u00e9tiers<\/em>\u00a0d\u2019\u00c9tienne Boileau, ouvrage du XIIIe<\/sup>\u00a0si\u00e8cle o\u00f9 l\u2019auteur d\u00e9crit les m\u0153urs et les coutumes des marchands. Le criage y appara\u00eet comme un service public plac\u00e9 sous la d\u00e9pendance de l\u2019autorit\u00e9 royale. <\/p>\n\n\n\n

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Porcelaine de Meissen: s\u00e9rie Cris de Paris. La marchande de Fleurs .\n(c) Pineaud gil, Proantic.<\/figcaption><\/figure>\n\n\n\n

Hommes, femmes ou enfants d\u00e9ambulaient dans les rues et criaient leurs marchandises ou leurs services pour attirer le chaland. Chaque corps de m\u00e9tier poss\u00e9dait son propre cri caract\u00e9ristique. Cette forme de commerce nomade s\u2019est perp\u00e9tu\u00e9e tout au long de l\u2019\u00e9poque moderne, faisant concurrence aux \u00e9choppes et boutiques ayant pignon sur rue.<\/p>\n\n\n\n

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Jeu des Cris de Paris d\u00e9di\u00e9 aux amateurs , \nCrepy Jean-Baptiste , 1774<\/figcaption><\/figure><\/div>\n\n\n\n

D\u2019une grande diversit\u00e9, les cris des commer\u00e7ants ambulants furent c\u00e9l\u00e9br\u00e9s \u00e0 toutes les \u00e9poques aussi bien par les \u00e9crivains que par les artistes. Dans\u00a0La Prisonni\u00e8re<\/em>, volume publi\u00e9 en 1923, Marcel Proust a consacr\u00e9 plusieurs pages c\u00e9l\u00e8bres aux sc\u00e8nes de rue parisiennes, \u00e9voquant en particulier les marchands ambulants et leurs cris vari\u00e9s qui \u00ab\u00a0orchestraient l\u00e9g\u00e8rement l\u2019air matinal, en une \u00ab\u00a0ouverture pour un jour de f\u00eate\u00a0\u00bb\u00a0\u00bb.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Son t\u00e9moignage rejoint celui des peintres et des graveurs du XIXe<\/sup>\u00a0si\u00e8cle qui se sont int\u00e9ress\u00e9s aux petits m\u00e9tiers parisiens. H\u00e9ritiers d\u2019une longue tradition iconographique, ceux-ci rendent compte de leur diversit\u00e9 et en brossent des portraits individuels.<\/p>\n\n\n\n

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SAMSON\nPaire de sujets en porcelaine,\nLes Cris de Paris\nXIX\u00e8me si\u00e8cle<\/figcaption><\/figure>\n\n\n\n

C\u2019est ainsi qu\u2019\u00e0 la fin du XIXe<\/sup> si\u00e8cle les peintres Pierre Carrier-Belleuse et Ulysse Roy ont repr\u00e9sent\u00e9 dans une veine r\u00e9aliste des livreurs de farine devant une boulangerie pour l\u2019un, un petit ramoneur pour l\u2019autre, s\u2019attachant \u00e0 d\u00e9peindre avec pr\u00e9cision leurs attitudes et leurs caract\u00e8res distinctifs. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Les petits m\u00e9tiers ont \u00e9galement fait l\u2019objet de sc\u00e8nes de genre, telle cette estampe en couleur o\u00f9 Jean-Baptiste Mallet a repr\u00e9sent\u00e9 une ravaudeuse install\u00e9e dehors, au pied d\u2019une maison, son attirail autour d\u2019elle, ou cette autre estampe anonyme intitul\u00e9e \u00ab\u00a0Paris qui s\u2019\u00e9veille\u00a0\u00bb. <\/p>\n\n\n\n

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La ravaudeuse. \nMALLET Jean Baptiste (1759 – 1835)\n\u00a9 Photo RMN-Grand Palais – Bulloz<\/figcaption><\/figure><\/div>\n\n\n\n

Dans cette derni\u00e8re, l\u2019artiste s\u2019est plu \u00e0 croquer sur le vif l\u2019animation d\u2019une rue parisienne le matin, avec les boutiquiers ouvrant leurs \u00e9choppes et les commer\u00e7ants ambulants arpentant le pav\u00e9 en qu\u00eate de clients. L\u2019attirail et les postures vari\u00e9es de ces derniers permettent d\u2019y reconna\u00eetre entre autres un ramoneur, un chiffonnier et un marchand de chapeaux.<\/p>\n\n\n\n

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Sc\u00e8ne et moeurs de Paris: Paris qui s’\u00e9veille\n\u00a9 Photo RMN-Grand Palais – Bulloz<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Les \u00ab\u00a0cris de Paris\u00a0\u00bb d\u00e9signent l\u2019univers des marchands ambulants, des petits m\u00e9tiers non qualifi\u00e9s qui fourmillent dans les rues de Paris. Durant trois si\u00e8cles, les \u00ab\u00a0cris de Paris\u00a0\u00bb ont constitu\u00e9 un th\u00e8me d\u2019inspiration litt\u00e9raire, iconographique et musical. Un peu comme aujourd’hui sur les march\u00e9s, ces cris, au nombre d’une cinquantaine, \u00e9taient pouss\u00e9s par les marchands ambulants, qui […]<\/p>\n","protected":false},"author":6,"featured_media":12476,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[372],"tags":[],"class_list":["post-12447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-abc-du-decor"],"yoast_head":"\nLes \u00ab cris de Paris \u00bb Le Magazine de Proantic<\/title>\n<meta name=\"description\" content=\"Les \u00ab\u00a0cris de Paris\u00a0\u00bb d\u00e9signent l\u2019univers des marchands ambulants, des petits m\u00e9tiers non qualifi\u00e9s qui fourmillent dans les rues de Paris. Durant trois\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.proantic.com\/magazine\/les-cris-de-paris\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les \u00ab cris de Paris \u00bb Le Magazine de Proantic\" \/>\n<meta property=\"og:description\" content=\"Les \u00ab\u00a0cris de Paris\u00a0\u00bb d\u00e9signent l\u2019univers des marchands ambulants, des petits m\u00e9tiers non qualifi\u00e9s qui fourmillent dans les rues de Paris. 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