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Painting By Francis De Erdely, Hungarian
Francis de Erdely (1904-1959)
Morning Coffee
Signed and dated 1928
Oil on canvas
80 x 65cm
framed
Francis De Erdely was born in Budapest, Hungary in 1904. De Erdely first studied at the Academy of Fine Arts in Budapest, as well as the Real Academie de Bellas Artes de San Fernando in Madrid and the prestigious Sorbonne and Ecole du Louvre in Paris. De Erdely’s technical abilities, brushwork, and composition were based in European classicism. Politics began to inform his work when Fascism began to gain ground in Europe. As De Erdely's career developed, he became less focused on history painting and the themes of classical Antiquity. Subjects surrounding war, suffering, and human strength became present.
De Erdely immigrated to the United States in 1939. Living in New York and Chicago, he was hired to paint portrait of wealthy patrons. He also painted images of the American Scene. It was after his move to Los Angeles, when his mature work developed and he established himself as an American artist. He is best known for his figure-based paintings done in Los Angeles during the 1940s and 1950s of immigrants, laborers, dancers, and social outsiders. It has been argued that this period of his work relate directly to De Erdely’s own experience as an immigrant in a new country.
Morning Coffee
Signed and dated 1928
Oil on canvas
80 x 65cm
framed
Francis De Erdely was born in Budapest, Hungary in 1904. De Erdely first studied at the Academy of Fine Arts in Budapest, as well as the Real Academie de Bellas Artes de San Fernando in Madrid and the prestigious Sorbonne and Ecole du Louvre in Paris. De Erdely’s technical abilities, brushwork, and composition were based in European classicism. Politics began to inform his work when Fascism began to gain ground in Europe. As De Erdely's career developed, he became less focused on history painting and the themes of classical Antiquity. Subjects surrounding war, suffering, and human strength became present.
De Erdely immigrated to the United States in 1939. Living in New York and Chicago, he was hired to paint portrait of wealthy patrons. He also painted images of the American Scene. It was after his move to Los Angeles, when his mature work developed and he established himself as an American artist. He is best known for his figure-based paintings done in Los Angeles during the 1940s and 1950s of immigrants, laborers, dancers, and social outsiders. It has been argued that this period of his work relate directly to De Erdely’s own experience as an immigrant in a new country.
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