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Woman In A Kimono By Gustave De Jonghe
"The world of refinement of Gustave De Jonghe" .... An interior scene as Gustave De Jonghe liked them. After his arrival in Paris in 1855, he made this his speciality. For the next thirty years, he exhibited works of this type at the Parisian salons, which met with great success, easily finding a clientele in the heart of the rising upper middle class, who appreciated his tastefully arranged decorations, but also the discreetly teasing atmosphere of his scenes.... A career that saw him painting mainly portraits typical of his time, illustrating the modern life of women in the French capital. His work places him in the tradition of another Belgian painter, a friend of the Impressionists, Alfred Stevens.
Gustave Léonard de Jonghe was the son of landscape painter Jan Baptiste de Jonghe, who also initiated him into the art of painting. When his father died in 1844, he received a scholarship from his hometown Kortrijk and continued his studies at the Royal Academy of Fine Arts in Brussels, with François-Joseph Navez and Louis Gallait, among others.
In 1848, at the age of 18, he already exhibited in the Brussels Salon. Following Alfred Stevens' example, he emigrated to Paris in 1850 and soon made a name for himself as a popular painter of elegant female and group portraits of the bourgeoisie. From the 1850s onwards, he was to exhibit several times at the Paris Salon. Influenced by Alfred Stevens, he concentrated on portraiture during the 1850s. He painted mainly upper-class women in luxurious settings, with much attention to fashionable clothing, always in an aesthetic realist style that was very popular at the time. Influences are recognizable from Japonism and Orientalism.
He became an outstanding painter of elegant women and family life during the Second Empire. Beautiful women in gorgeous silk fabrics, set in grand interiors, were his recipe for unparalleled success. De Jonghe presented a series of such images throughout his career. In each work, the setting may have been different, but his focus always remained true to the idealized female type. The use of such a grand interior gave him the opportunity to exercise his art of observation and painting with great flair.
Compared to his contemporaries, De Jonghe distinguished himself by his virtuoso talent and his reputation was unchallenged from 1863 onwards.
In 1864, Belgium's King Leopold I awarded him the Order of Leopold. For almost thirty years he traveled ceaselessly between Paris and Brussels, finally settling in Antwerp in 1884. He died there in 1893, at the age of 63.
Much of his work is in private hands, but his works are also in the collections of major museums such as the Royal Museum of Fine Arts of Belgium in Brussels, the Royal Museum of Fine Arts Antwerp, the Hamburger Kunsthalle, the Hermitage in St. Petersburg and the Musée d'Orsay in Paris.
Gustave Léonard de Jonghe was the son of landscape painter Jan Baptiste de Jonghe, who also initiated him into the art of painting. When his father died in 1844, he received a scholarship from his hometown Kortrijk and continued his studies at the Royal Academy of Fine Arts in Brussels, with François-Joseph Navez and Louis Gallait, among others.
In 1848, at the age of 18, he already exhibited in the Brussels Salon. Following Alfred Stevens' example, he emigrated to Paris in 1850 and soon made a name for himself as a popular painter of elegant female and group portraits of the bourgeoisie. From the 1850s onwards, he was to exhibit several times at the Paris Salon. Influenced by Alfred Stevens, he concentrated on portraiture during the 1850s. He painted mainly upper-class women in luxurious settings, with much attention to fashionable clothing, always in an aesthetic realist style that was very popular at the time. Influences are recognizable from Japonism and Orientalism.
He became an outstanding painter of elegant women and family life during the Second Empire. Beautiful women in gorgeous silk fabrics, set in grand interiors, were his recipe for unparalleled success. De Jonghe presented a series of such images throughout his career. In each work, the setting may have been different, but his focus always remained true to the idealized female type. The use of such a grand interior gave him the opportunity to exercise his art of observation and painting with great flair.
Compared to his contemporaries, De Jonghe distinguished himself by his virtuoso talent and his reputation was unchallenged from 1863 onwards.
In 1864, Belgium's King Leopold I awarded him the Order of Leopold. For almost thirty years he traveled ceaselessly between Paris and Brussels, finally settling in Antwerp in 1884. He died there in 1893, at the age of 63.
Much of his work is in private hands, but his works are also in the collections of major museums such as the Royal Museum of Fine Arts of Belgium in Brussels, the Royal Museum of Fine Arts Antwerp, the Hamburger Kunsthalle, the Hermitage in St. Petersburg and the Musée d'Orsay in Paris.
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