THIS OBJECT WAS SOLD
The Alchemist In His Study – Thomas Van Apshoven (1622 – 1664)
Oil on panel. Flemish School, 17th century, attributed to Thomas van Apshoven.
In a dark, cluttered room, an alchemist wearing a Phrygian cap is at work before his furnace. While a solution settles in an alembic, he tends the fire beneath a crucible, likely containing minerals. Indeed, in his quest for the philosopher's stone, the alchemist seeks to transform base metals into gold. Seated behind him, his assistants are busy: one holds a flask, while another weighs elements using a balance scale. And hanging on the far wall is an animal form: an alchemical salamander. The alchemical salamander is a legendary creature that lives in flames; it is a symbolic representation of the elemental spirit of fire. This precious cabinet painting illustrates Van Apshoven's lively touch, building up his subjects with fine glazes in shades of brown mixed with silver.
The work is enhanced by its Dutch guilloché frame in blackened wood.
Dimensions: 22 x 26.5 cm – 41 x 46 cm with frame.
Thomas van Apshoven, sometimes called Theodore (Antwerp, November 30, 1622 / 1664), was the son of the painter Ferdinand van Apshoven. Early on, after being his pupil, he became the assistant of David Teniers the Younger, whose style he tirelessly imitated, bringing him considerable success. His works, like those of his master, depict village festivals, tavern interiors, and the cabinets of astronomers or alchemists. His painting is so close to Teniers' that it is sometimes mistaken for it. Van Apshoven led a dual career as a painter and soldier, and in 1657 he attained the rank of captain.
In a dark, cluttered room, an alchemist wearing a Phrygian cap is at work before his furnace. While a solution settles in an alembic, he tends the fire beneath a crucible, likely containing minerals. Indeed, in his quest for the philosopher's stone, the alchemist seeks to transform base metals into gold. Seated behind him, his assistants are busy: one holds a flask, while another weighs elements using a balance scale. And hanging on the far wall is an animal form: an alchemical salamander. The alchemical salamander is a legendary creature that lives in flames; it is a symbolic representation of the elemental spirit of fire. This precious cabinet painting illustrates Van Apshoven's lively touch, building up his subjects with fine glazes in shades of brown mixed with silver.
The work is enhanced by its Dutch guilloché frame in blackened wood.
Dimensions: 22 x 26.5 cm – 41 x 46 cm with frame.
Thomas van Apshoven, sometimes called Theodore (Antwerp, November 30, 1622 / 1664), was the son of the painter Ferdinand van Apshoven. Early on, after being his pupil, he became the assistant of David Teniers the Younger, whose style he tirelessly imitated, bringing him considerable success. His works, like those of his master, depict village festivals, tavern interiors, and the cabinets of astronomers or alchemists. His painting is so close to Teniers' that it is sometimes mistaken for it. Van Apshoven led a dual career as a painter and soldier, and in 1657 he attained the rank of captain.
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Genre Scenes, Nudes
