Pair Of Large Three-flame Candlesticks, Marius Giuge In Vallauris, 1960s

A large pair of three-light candelabra, 37 cm high, formed by scrolls at the top and base of the stem, built directly onto the base in a "foam" pattern. The white color of these models is dotted with black cells that contrast with the light glaze.

The technique used to achieve this effect involved adding chemical components to the glaze: depending on the chosen dosage, this created variations in the size and depth of the craters. This pattern, invented by Marius Giuge, inspired the "Fat Lava" ceramics, very popular in Germany in the late 1960s and 1970s.

This pair of candelabra is an iconic example of Marius Giuge's work from the 1960s and 1970s. Each candlestick is signed underneath: MARIUS GIUGE – VALLAURIS stamp on each foot.

Marius Giuge, a key figure in Vallauris (1909-1980), lived through the post-war boom years with classic forms and glazes that bordered on kitsch. He inherited the know-how of his father, Philippe, who was based in Vallauris and from whom he learned the potter's craft. In 1947, he opened his own workshop.

He initially worked with traditional pottery before turning to decorative ceramics. An excellent craftsman, his workshops prospered. In the late 1960s, he developed his famous "meerschaum" decoration, created by adding chemical components to the glaze to achieve variations in the size and depth of the craters.

This decoration, applied to large pieces with shapes inspired by Greek antiquities, is emblematic of his work. It was adopted in West Germany by the industrialized factories of the post-war period, which in turn developed "Fat Lava."

In 1975, Marius Giuge passed his workshop on to his daughter, also a ceramicist, thus perpetuating the history of a family tradition. Facing the consequences of the oil crises, the workshop closed permanently in 1980 (the year of Marius Giuge's death).