THIS OBJECT WAS SOLD
Renzo Vespignani (1924-2001) Rome Italian "studio Per La Ninetta" Hard Pencil Drawing. Pasolini
Renzo VESPIGNANI (1924-2001) Rome Italian "Studio per la Ninetta" Hard pencil drawing, 1978. Friend of Pier Paolo Pasolini
"For a writer, at least in appearance, it might be easier to make the two moments of rationalization coincide: the stylistic and the ideological. Once he has assumed the popular world as an object, even of pure denunciation or painful description, he will always have the possibility of mimesis, in which he can revive in his life and make speak in his language, that world. The painter [Vespiniani] has stopped in his external lines, before him, that world: the places where the proletariat works, suffers, has its desperate joys, its terrible grayness, its boundless sadness. To reproduce it necessarily means to achieve a stylistic contamination." — Pier Paolo Pasolini on his friend Vespignani (1956).
Works in museums
Aosta Valley Regional Collection of Modern and Contemporary Art at the Gamba Castle in Cret de Breil di Châtillon with the work: Madonnaro (1962)
Uffizi Gallery in Florence with the work in deposit Autoritratto and with the drawing Autoritratto (Gabinetto Disegni e Stampe degli Uffizi).
Suzzara Prize Civic Gallery in Suzzara with the works: Terezin (1982) and West Broadway (1988).
MAGA museum of modern and contemporary art in Gallarate with the work: Rottame (1966).
Museo Civico il Correggio of Correggio
Museo Carandente, Palazzo Collicola - Visual Arts of Spoleto
Art Museum of Avellino with the work: Marta (1982).
Museum of Art, Palazzo de'Mayo, Chieti
Costantino Barbella Museum of Art of Chieti
Museum of the Imperial Contrada of the Giraffe of Siena with a drapery or palio.
Museum of the “Tito Balestra” Foundation of Longiano
Museum of the Roman School in Villa Torlonia in Rome
Civic Museum of Sulmona
Ricci Palace Museum, Macerata
MIG. International Museum of Graphics, Castronuovo Sant'Andrea (PZ)
Translated with DeepL.com (free version)
"For a writer, at least in appearance, it might be easier to make the two moments of rationalization coincide: the stylistic and the ideological. Once he has assumed the popular world as an object, even of pure denunciation or painful description, he will always have the possibility of mimesis, in which he can revive in his life and make speak in his language, that world. The painter [Vespiniani] has stopped in his external lines, before him, that world: the places where the proletariat works, suffers, has its desperate joys, its terrible grayness, its boundless sadness. To reproduce it necessarily means to achieve a stylistic contamination." — Pier Paolo Pasolini on his friend Vespignani (1956).
Works in museums
Aosta Valley Regional Collection of Modern and Contemporary Art at the Gamba Castle in Cret de Breil di Châtillon with the work: Madonnaro (1962)
Uffizi Gallery in Florence with the work in deposit Autoritratto and with the drawing Autoritratto (Gabinetto Disegni e Stampe degli Uffizi).
Suzzara Prize Civic Gallery in Suzzara with the works: Terezin (1982) and West Broadway (1988).
MAGA museum of modern and contemporary art in Gallarate with the work: Rottame (1966).
Museo Civico il Correggio of Correggio
Museo Carandente, Palazzo Collicola - Visual Arts of Spoleto
Art Museum of Avellino with the work: Marta (1982).
Museum of Art, Palazzo de'Mayo, Chieti
Costantino Barbella Museum of Art of Chieti
Museum of the Imperial Contrada of the Giraffe of Siena with a drapery or palio.
Museum of the “Tito Balestra” Foundation of Longiano
Museum of the Roman School in Villa Torlonia in Rome
Civic Museum of Sulmona
Ricci Palace Museum, Macerata
MIG. International Museum of Graphics, Castronuovo Sant'Andrea (PZ)
Translated with DeepL.com (free version)
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