Marcel-lenoir (1872-1931), Jules Oury Dit, Study Of Hands, Ink On Paper
Artist: Marcel-lenoir (1872-1931), Jules Oury Dit
Marcel-lenoir (1872-1931), Jules Oury known as
Étude de mains
Ink on paper
Signed "Marcel-Lenoir" lower right
19.5 x 34 cm
Antique wooden frame 39 × 48 cm
Originally from Montauban, Jules Oury, who would later adopt the pseudonym Marcel-Lenoir, moved to Paris in 1889, at the age of seventeen. Strongly encouraged by his goldsmith father to develop his artistic talents, he undertook a brief training at the École des Arts Décoratifs and then at the École des Beaux-Arts. He quickly turned away from goldsmithing to concentrate on painting. The art of the French and Italian primitives that he discovered at the Louvre would have a profound effect on him. A great fan of Pierre Puvis de Chavanne, from whom he received encouragement, he was naturally drawn to the symbolist nebula and more particularly to the esoteric world of the Rose+Croix.
A hard worker with an innate talent for color and composition, Marcel-Lenoir produced a fertile body of work that was constantly evolving. He made several stylistic shifts, always in a modern and poetic aesthetic, and thus achieved a formidable synthesis of the pictorial innovations of his time. Remaining faithful to massive forms and bright colors, he was interested in a variety of subjects, both secular and mystical, and participated in the revival of religious painting in the aftermath of the First World War.
A tormented artist marked by spiritual uncertainties, Marcel-Lenoir was above all profoundly independent. His fierce condemnations of bourgeois art and official institutions would harm his critical fortune.
Étude de mains
Ink on paper
Signed "Marcel-Lenoir" lower right
19.5 x 34 cm
Antique wooden frame 39 × 48 cm
Originally from Montauban, Jules Oury, who would later adopt the pseudonym Marcel-Lenoir, moved to Paris in 1889, at the age of seventeen. Strongly encouraged by his goldsmith father to develop his artistic talents, he undertook a brief training at the École des Arts Décoratifs and then at the École des Beaux-Arts. He quickly turned away from goldsmithing to concentrate on painting. The art of the French and Italian primitives that he discovered at the Louvre would have a profound effect on him. A great fan of Pierre Puvis de Chavanne, from whom he received encouragement, he was naturally drawn to the symbolist nebula and more particularly to the esoteric world of the Rose+Croix.
A hard worker with an innate talent for color and composition, Marcel-Lenoir produced a fertile body of work that was constantly evolving. He made several stylistic shifts, always in a modern and poetic aesthetic, and thus achieved a formidable synthesis of the pictorial innovations of his time. Remaining faithful to massive forms and bright colors, he was interested in a variety of subjects, both secular and mystical, and participated in the revival of religious painting in the aftermath of the First World War.
A tormented artist marked by spiritual uncertainties, Marcel-Lenoir was above all profoundly independent. His fierce condemnations of bourgeois art and official institutions would harm his critical fortune.
550 €
Period: 20th century
Style: Other Style
Condition: Good condition
Material: Paper
Reference (ID): 1494728
Availability: In stock
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