King Victor Amadeus II Of Savoy (turin, 1666–1732), Maria Giovanna Clementi
Artist: Maria Giovanna Battista Clementi Dite La Clementina (turin, 1692 - Turin, 1761) - Attribuable à
Maria Giovanna Battista Clementi, known as La Clementina (Turin, 1692 – Turin, 1761), Attributed to
Portrait of Vittorio Amedeo II of Savoy (Turin 1666 – Moncalieri 1732) King of Sardinia, Duke of Savoy, Marquis of Saluzzo, and Duke of
Monferrato, Prince of Piedmont, and Count of Aosta, Moriana, and Nice from 1675 to 1720.
Oil on oval canvas, 79 x 62 cm, framed 98 x 82 cm.
FULL DETAILS AVAILABLE DIRECTLY ON OUR WEBSITE (link)
The subject of this captivating, virile portrait is King Vittorio Amedeo II of Savoy, depicted in ceremonial armor and a red cloak in accordance with traditional courtly iconography, shown in a slight three-quarter half-length portrait, wearing the towering “alla cortesana” wig, in keeping with the French-inspired fashion trends of the early decades of the century.
To represent the power embodied in our austere subject, the sovereign is depicted with the symbolic attributes of his dynasty’s power: the ancient crown of the Kingdom of Sardinia, the scepter bearing the Mauritian cross, and the necklace of the Supreme Order of the Most Holy Annunciation, established in 1364 by Amadeus VI as the highest honor of the House of Savoy.
A particularly interesting detail is the inscription on the necklace of the Savoy motto “FERT,” whose meaning remains controversial to this day: according to the official interpretation, it is the acronym for “Fodere Et Religione Tenimur,” referring to the House of Savoy’s commitment to spreading the Christian faith, and also “Fortitudo Ejus Rhodum Tenuit,” which alludes to the House of Savoy’s participation in the Crusades, “Fides Est Regni Tutela” (faith is the protector of the Kingdom), although the most imaginative and ironic interpretation was “Fomina Erit Ruina Tua” (a woman will be your ruin).
Dating to the late 17th century, it belongs historically and culturally to the prolific output of the workshops active for the House of Savoy.
The fine craftsmanship and painterly quality suggest that the painting belongs to the circle of official court portraitists, in particular Maria Giovanna Clementi, known as “la Clementina.” The stylistic features of the painting confirm the Franco-Framminga orientation of court portraiture associated with La Clementina and her circle.
Series of portraits dedicated to the Dukes of Savoy—who later became Kings of Sardinia—and possibly to their consorts, were very common not only in royal residences but also in the homes of the court nobility as a clear sign of loyalty to the ruling dynasty.
CONDITION:
The work is in good condition, with scattered old retouching. The painting is framed in a pleasing gilded wooden frame, which is not contemporary.
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Portrait of Vittorio Amedeo II of Savoy (Turin 1666 – Moncalieri 1732) King of Sardinia, Duke of Savoy, Marquis of Saluzzo, and Duke of
Monferrato, Prince of Piedmont, and Count of Aosta, Moriana, and Nice from 1675 to 1720.
Oil on oval canvas, 79 x 62 cm, framed 98 x 82 cm.
FULL DETAILS AVAILABLE DIRECTLY ON OUR WEBSITE (link)
The subject of this captivating, virile portrait is King Vittorio Amedeo II of Savoy, depicted in ceremonial armor and a red cloak in accordance with traditional courtly iconography, shown in a slight three-quarter half-length portrait, wearing the towering “alla cortesana” wig, in keeping with the French-inspired fashion trends of the early decades of the century.
To represent the power embodied in our austere subject, the sovereign is depicted with the symbolic attributes of his dynasty’s power: the ancient crown of the Kingdom of Sardinia, the scepter bearing the Mauritian cross, and the necklace of the Supreme Order of the Most Holy Annunciation, established in 1364 by Amadeus VI as the highest honor of the House of Savoy.
A particularly interesting detail is the inscription on the necklace of the Savoy motto “FERT,” whose meaning remains controversial to this day: according to the official interpretation, it is the acronym for “Fodere Et Religione Tenimur,” referring to the House of Savoy’s commitment to spreading the Christian faith, and also “Fortitudo Ejus Rhodum Tenuit,” which alludes to the House of Savoy’s participation in the Crusades, “Fides Est Regni Tutela” (faith is the protector of the Kingdom), although the most imaginative and ironic interpretation was “Fomina Erit Ruina Tua” (a woman will be your ruin).
Dating to the late 17th century, it belongs historically and culturally to the prolific output of the workshops active for the House of Savoy.
The fine craftsmanship and painterly quality suggest that the painting belongs to the circle of official court portraitists, in particular Maria Giovanna Clementi, known as “la Clementina.” The stylistic features of the painting confirm the Franco-Framminga orientation of court portraiture associated with La Clementina and her circle.
Series of portraits dedicated to the Dukes of Savoy—who later became Kings of Sardinia—and possibly to their consorts, were very common not only in royal residences but also in the homes of the court nobility as a clear sign of loyalty to the ruling dynasty.
CONDITION:
The work is in good condition, with scattered old retouching. The painting is framed in a pleasing gilded wooden frame, which is not contemporary.
Follow us on:
https://www.instagram.com/galleriacastelbarco/?hl=it
https://www.facebook.com/galleriacastelbarco/
9 900 €
Period: 18th century
Style: Louis 15th - Transition
Condition: Excellent condition
Material: Oil painting
Width: encadré 82 cm.
Height: encadré 98 cm.
Reference (ID): 1803412
Availability: In stock
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